鎖孔報告
德文原名Schluuml;sselloch-Report直譯就是鎖匙孔報告的意思,顧名思義就是一些人透過鑰匙孔偷窺別人ML,類似德國著名的女生報告系列的典型性喜劇,詼諧幽默、美女如云~~
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劇情簡介
德文原名Schluuml;sselloch-Report直譯就是鎖匙孔報告的意思,顧名思義就是一些人透過鑰匙孔偷窺別人ML,類似德國著名的女生報告系列的典型性喜劇,詼諧幽默、美女如云~~
同類好片
異形終結(jié)
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer137號案件
蕾雅·德呂蓋,帕斯卡·桑格拉,克萊爾·博德森,朱利安·利蒂,佛羅倫斯·維亞拉,海倫·亞歷山德里迪斯,Solan Machado Graner,安東尼婭·布雷西,杰納維夫·馬尼奇,Christian Sinniger,Sandra Colombo,C?me Péronnet,瓦倫丁·坎帕涅,Mathilde Riu,雅尼克·莫澤爾,古斯拉姬·馬蘭達(dá),戈捷·巴圖埃,Laurent Bozzi,亞歷珊德拉·耶爾馬克,斯蒂文·德里森抖擻
馬克·沃爾伯格,保羅·沃爾特·豪澤,薩莎·拜倫·科恩,本杰明·布拉特,盧西亞諾·薩法爾,艾娃·德·多米尼奇,丹妮拉·曼希沃,莫莉·香儂,切爾茜·克里斯普,埃里克·安德烈,杰克森·托澤爾,亨利埃塔·阿梅沃爾,阿貝·法雷利,瑞恩·謝爾頓,娜塔麗·奧利維拉,提亞戈·莫拉斯,斯隆·費希爾,詹尼·德古拉,朱麗安娜·卡斯特羅,伊恩·阿達(dá)姆森羅生門
三船敏郎,京町子,森雅之,志村喬,千秋實,上田吉二郎,本間文子,加?xùn)|大介血戰(zhàn)到底2025
李恰,于莫凡,李博,呂晨妖獸都市
黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚,李若彤,袁和平,葉山麗子人氣佳作
瘋狂侏羅紀(jì)
梅蘭尼·格里菲斯,簡·林奇,威廉·鮑德溫長腿
麥卡·夢露,尼古拉斯·凱奇,布萊爾·安德伍德,艾麗西亞·維特,米歇爾·喬伊-李,達(dá)科他·道爾比,勞倫·阿卡拉,琪蘭·席普卡,賈森·戴,麗莎·錢德勒,萊拉·麥金托什,卡梅爾·阿密特,沙芬·卡里姆,丹尼爾·巴孔,瓦內(nèi)薩·沃爾什,斯科特·尼科爾森主謀
喬什·奧康納,阿拉娜·哈伊姆,蓋比·霍夫曼,約翰·馬加羅,比爾·坎普,霍普·戴維斯,萊齊·費利茲,馬修·馬希爾,科爾·杜曼,瑪戈特·安德森-宋,伊萊·蓋布,胡安·卡洛斯·赫爾南德斯,讓·扎爾祖爾,瑞安·霍姆奇克,威爾遜·康克賴特,凱蒂·哈伯德,史蒂文·特里·沃克,D·J·斯特勞德,格雷格·維奧蘭德,安吉爾·科恩斯諾查丹瑪斯滅亡錄?基因的新世紀(jì)
小松美幸,水橋研二,中丸忠雄,崎山裕一導(dǎo)演精選
春生回家
日軍侵華,陳春生目睹父親慘死刀下,執(zhí)念驅(qū)使他不顧母親哀求,深夜偷跑參軍,立誓抗日救國,再回家鄉(xiāng)。他在戰(zhàn)場浴血成長,終見山河光復(fù),然而內(nèi)戰(zhàn)打響,拖慢了他回鄉(xiāng)的腳步。陳春生拒絕向同胞舉槍,淪為逃兵被關(guān)押,1949年被強行運往臺灣。在臺數(shù)十年,他漂泊無依,雖遇良伴組建新家,卻始終被思鄉(xiāng)之苦煎熬。兩岸三通后,他竟得知母親仍在等他,八十三歲的他飛奔回鄉(xiāng),與百歲母親相認(rèn),這份遲到71年的承諾,終在生命盡頭圓滿。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
119緊急呼叫2026 橫濱大停電
年末的橫濱消防通信指令中心異常繁忙,事故、疾病、火災(zāi)與各種糾紛不斷。此時,是否引入“AI指令員”取代人工的議題引發(fā)內(nèi)部對立。除夕夜突發(fā)大規(guī)模停電,全市混亂、報警激增,指令員們在極限狀態(tài)中持續(xù)接警與指揮救援。作品描繪他們直面困難時堅持工作的理由,以及“拯救他人”這一行為的真正意義。城市陷入黑暗,他們必須用僅存的“聲音”守護生命。