鼴鼠
神秘莫測(cè)、槍法絕倫的獨(dú)行殺手“鼴鼠”（亞歷桑德羅?佐杜洛夫斯基暫無內(nèi)容Alejandro暫無內(nèi)容Jodorowsky暫無內(nèi)容飾）和他年僅7歲、赤身裸體的兒子（布朗提斯?佐杜洛夫斯基暫無內(nèi)容Brontis暫無內(nèi)容Jodorowsky暫無內(nèi)容飾）騎馬漫步在墨西哥炎熱的沙漠之中。他們路過一個(gè)被匪徒“上校”及其爪牙血洗過的村莊，鼴鼠按照垂死村民提供的線索一路追蹤，將上校一伙一網(wǎng)打盡。在此之后，他將兒子留在一座寺院，帶著他解救的女人繼續(xù)踏上旅途。女人向鼴鼠講述了四大高手的傳說，這個(gè)好勝心切的男人向四大高手發(fā)起挑戰(zhàn)，他憑借高超的槍法和精巧的計(jì)謀一次次得逞，卻也在這一過程中若有所悟。
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劇情簡介
神秘莫測(cè)、槍法絕倫的獨(dú)行殺手“鼴鼠”（亞歷桑德羅?佐杜洛夫斯基暫無內(nèi)容Alejandro暫無內(nèi)容Jodorowsky暫無內(nèi)容飾）和他年僅7歲、赤身裸體的兒子（布朗提斯?佐杜洛夫斯基暫無內(nèi)容Brontis暫無內(nèi)容Jodorowsky暫無內(nèi)容飾）騎馬漫步在墨西哥炎熱的沙漠之中。他們路過一個(gè)被匪徒“上校”及其爪牙血洗過的村莊，鼴鼠按照垂死村民提供的線索一路追蹤，將上校一伙一網(wǎng)打盡。在此之后，他將兒子留在一座寺院，帶著他解救的女人繼續(xù)踏上旅途。女人向鼴鼠講述了四大高手的傳說，這個(gè)好勝心切的男人向四大高手發(fā)起挑戰(zhàn)，他憑借高超的槍法和精巧的計(jì)謀一次次得逞，卻也在這一過程中若有所悟。
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等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
痊愈
一個(gè)隱蔽的海洛因治療中心的病人和工作人員必須與他們自己的惡魔進(jìn)行戰(zhàn)斗，因?yàn)橐粋€(gè)神秘的殺手開始一個(gè)接一個(gè)地把他們抓走。