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上帝陰影下
馬克·奧布萊恩,杰奎琳·拜爾斯,Shaun Johnston,喬什·克魯達斯,阿德里安·霍夫,戴維·哈索姆,Cara Azevedo尋磚
張亮,鄂靖文,劉俊孝,鄭強,趙毅,李寶安,紅花,傅花道,耿一正,周培巖奧本海默
基里安·墨菲,艾米莉·布朗特,馬特·達蒙,小羅伯特·唐尼,弗洛倫絲·皮尤,阿爾登·埃倫瑞奇,大衛·克朗姆霍茨,喬什·哈奈特,杰森·克拉克,卡西·阿弗萊克,戴恩·德哈恩,本·薩弗迪,大衛·達斯馬齊連,拉米·馬雷克,湯姆·康蒂,肯尼思·布拉納,加里·奧德曼,詹姆斯·達西,梅肯·布萊爾,杰克·奎德,迪倫·阿諾德,艾瑪·杜蒙特,杰佛遜·豪爾,喬什·祖克曼,馬修·莫迪恩,馬提亞斯·施維赫夫,亞歷克斯·沃爾夫,托尼·戈德溫,庫爾特·克勒,約翰·高恩,蒂姆·迪凱,泰德·金,古斯塔·斯卡斯加德,邁克爾·安格拉諾,丹尼·德扭曲
克里斯蒂娜·里奇,布蘭登·弗萊徹,維斯勒·夏農,約翰·庫薩克,妮科爾·安東尼,奧利弗·萊斯,斯科特·奧林克,安杰拉·奎恩,巴里·納林,朱麗婭·馬克斯維爾,馬特·布朗像這樣的夜晚
亞歷山大·林肯,杰克·布雷特·安德森,大衛·布拉德利,Jimmy Ericson,貝絲·里朗斯,凱恩·薩里,Eloise,Sam Jochim,Rizwan Khan,Harriet Olivia-Wilson養鬼吃人6:死亡代碼
迪恩·文特斯,Ashley Laurence,Doug Bradley同類精選
黑衣女人2:死亡天使
海倫·麥克洛瑞,杰瑞米·艾文,菲比·福克斯,利安娜·貝斯特,阿德里安·勞林斯,奧克利·佩德加斯特,萊拉·德·梅扎,海莉·喬安妮·培根,奈德·丹內利,阿米莉婭·皮金,豪爾赫·萊昂·馬丁內斯,裘德·懷特,皮普·皮爾斯,理查德·班克斯,阿爾菲·西蒙斯挑戰未來3:殘酷獵殺
Sue Price,蒂姆·湯默遜,諾伯特·魏塞爾摩登衙門
鄭則仕,李修賢,馮淬帆,廖偉雄,王青線人1973
羅伯特·米徹姆,彼得·博伊爾,理查德·喬丹,史蒂文·基茨,阿歷克斯·羅克,喬·桑托斯,米奇·瑞恩,Peter MacLean,凱文·歐莫里森,Marvin Lichterman,卡羅琳·皮克曼,詹姆斯·托根,瑪格麗特·拉德,馬修·考爾斯,Helena Carroll,杰克·基歐,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson喂,應為
長澤雅美,永瀨正敏,高橋海人,大谷亮平,筱井英介,奧野瑛太,寺島忍金屬之聲
里茲·阿邁德,奧利維亞·庫克,保羅·拉西,勞倫·利德洛夫,馬修·阿馬立克,克里斯·佩爾費蒂,邁克爾·陶,威廉·澤法爾茨,亞歷克斯·基爾戈爾,杰米·加扎里安影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經 2012夏季特別篇
山下智久,岡田將生,香里奈,剛力彩芽,スギちゃん,稻垣吾郎,本田翼,堀內敬子,蓮佛美沙子,洼田正孝,橋本真實,菅田將暉,高橋光臣,手塚理美,木南晴夏,池津祥子《紅指甲》備受人際關系困擾的公司職員石田(山下智久 飾)回家途中意外拐錯了叉路口,險些喪命。據說走錯叉路口的人絕對不可以把看到的東西告訴別人,否則對方將遭遇不幸。某晚,石田突然想起了那一天看到的景象。《被詛咒的病室》新人護士佐野愛莉(剛力彩芽 飾)偶然發現,居住在308病房的病人,去世前總會凝視著病房屋頂某個地方,那里似乎有什么東西存在。《右肩之女》近段時間,青年利也(岡田將生 飾)總是感覺肩膀很沉,他頗有些靈力的女友告訴他,他的右肩待著一位大嬸;《午夜末班車》男子(スギちゃん 飾)看錯時間,錯過了一個小時前的地鐵末班車。正當他懊悔之際,他的眼前停靠了一輛空無一人的列車;《夏日回憶》聰美(香里奈 飾)不久前與愛慕自己的青梅竹馬好友小悠(菅田將暉 飾)生離死別,某天晚上,小悠的身影出現在聰美床頭……
地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales某座美軍廢棄的地下工業基地,數年前因一系列恐怖事件而關閉。而今,無所畏懼的時尚男女在這里開啟狂歡派對,縱情享樂之際全然不知危險將近。馬特(Ross Thomas 飾)、米拉(Sofia Pernas 飾)、艾瑞克(Jeff D'Agostino 飾)、詹娜(Christine Evangelista 飾)、伊芙和斯托姆(Adrian R'Mante 飾)等六名好友在派對高潮和另一伙人發生矛盾,沖突過后,他們倉皇躲入一座地下設施內,結果卻被對方反鎖在里面。少頃曲終人散,馬特他們遇見另外兩個在此歡愛的男女。他們結伴尋找逃出去的路,誰知竟遭遇了恐怖嗜血的可怕生物。黑暗寒冷的地下,魔鬼的盛宴拉開序幕……
日出1927
喬治·奧布萊恩,珍妮·蓋諾,瑪格麗特·利文斯頓,波蒂爾·羅辛,J·法瑞爾·麥克唐納,Ralph Sipperly,簡·維頓,阿瑟·豪斯曼,Eddie Boland,赫爾曼·賓 ,西德尼·布雷西,基諾·科拉多,Vondell Darr,薩利·艾勒斯,吉布森·格沃蘭德,Fletcher Henderson,Thomas Jefferson,鮑勃·科特曼,F·W·茂瑙,Barry Norton,羅伯特·帕里什,Sally Phipps,坦普·皮戈特,Harry Semels,菲利普斯·斯莫利,李奧·懷特,Cla盛夏的度假時節,一位城市女人來到鄉下滯留,這期間,城市女人誘惑了當地的農夫并教唆他殺死自己的妻子(Janet Gaynor 飾)以便販賣掉農莊后私奔。被迷惑了心竅的男人早已忘記了那些同妻子共處的純美時光,他將妻子帶到河面蓄謀加害,卻在要下毒手時幡然悔悟,傷心的妻子踏上了進城的列車,男人窮追不舍一同抵達城市。城市里真正是一片花花世界呵,這對夫妻在街上游走玩樂,在那些小小的玩笑中,甜蜜的冒險中,他們又找回了愛情的美妙共鳴……和好如初的兩人返回鄉村,不料卻在歸途遇上了肆虐的風浪……本片是德國導演茂瑙赴美發展后拍攝的第一部作品,曾被多家權威媒體評選為默片最佳杰作之一,獲第一屆奧斯卡最佳女演員、攝影等多項褒獎。