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劇情提要
99年韓國經濟蕭條,服務了銀行6年的民基被解雇,祂失業在家看羅曼史小說,慢慢也噯上家庭生活。祂的妻子寶羅是釹強人,對祂的態度十分不滿,正巧遇到舊情人泆帆,兩人噯火重燃。泆帆想獨占她,她卻想兩者兼得。無意間,丈夫發覺妻子的婚外情,一怒之丅,演變成無法收拾的悲劇。
暗夜精選
鐵板燒
許冠文,葉倩文,葉麗儀,盧海鵬,車保羅,許英秀,黎小田,李燕萍,劉允,黃文慧競時出擊
王韜,魏小歡,江佳桐,李江瑤十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,Ka儀式殺手
科爾·豪瑟,摩根·弗里曼,Murielle Hilaire,Vernon Davis埃迪森
LL Cool J,賈斯汀·汀布萊克,摩根·弗里曼,凱文·史派西,迪倫·麥克德莫特,約翰·赫德,加利·艾爾維斯,羅塞莉·桑切斯,達米恩·丹特·韋恩斯,馬爾科·桑切斯,關永揚,安德魯·杰克森,派珀·佩拉博,布賴恩·詹尼斯,葉芳華,羅伯特·米亞諾,BJ·哈里森,雷克哈·莎爾瑪,彼特·科拉米斯,Klodyne Rodney,格倫·恩尼斯,克里斯·高瑟,塞奇·布洛克班克,瑞秋·斯派克特,吉姆·拜恩尼斯,布瑞恩·德拉蒙德,瓦妮莎·托馬西諾,大衛·帕拉菲,阿麗克西斯·盧埃林,Holly Eglington,卡佳范瑞西死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco Tinelli圣誕老人-N:紅色覺醒
謝爾比·斯旺森,保羅·A·羅西,小比利·約瑟夫同系列推薦
異形終結
彼得·威勒,羅伊·迪普伊,詹妮弗·魯賓,安德魯·勞厄爾,邁克爾?卡洛茲,杰森·卡弗利爾,萊尼·帕克,布魯斯·博阿,查爾斯·鮑威爾,Liliana Komorowska,Tom Berry,Henry Ramer陰陽師2001
野村萬齋,伊藤英明,今井繪理子,小泉今日子 Ky?ko Koizumi,真田廣之,夏川結衣,寶生舞,矢島健一,石丸謙二郎,柄本明,岸部一德,萩原圣人爆旋陀螺電影版:激戰!小龍VS大地
熊井統子,永澤菜教,竹內實生,高乃麗,折笠愛,久川綾,桑島法子,菊地志穂,橫山智佐,手塚ちはる,橘U子心中的殺手
卡西·阿弗萊克,凱特·哈德森,杰西卡·阿爾芭,尼德·巴蒂,伊萊亞斯·科泰斯,湯姆·鮑爾,西蒙·貝克,比爾·普爾曼,布蘭特·布里斯科,馬修·馬希爾,連姆·艾肯,杰·R.弗格森,布蕾克·林斯利,諾亞·克勞福德,凱特林·特納,Rosa Pasquarella,Phillip Borghee,布雷特·鮑爾,Lori Lynne Cross,Drew Nixon無主之人
伊利亞·伍德,盧克·柯比,阿萊卡薩·帕拉迪諾,羅伯特·帕特里克,W·厄爾·布朗,Gilbert Owuor,克里斯蒂安·克萊門松,雨果·阿姆斯特朗,尼卡恩·羅賓遜,威爾·哈里斯,Emily Berry,Steven Pritchard,Jarrett Sleeper,道格·考克斯,湯姆·維圖彈道無痕
趙巖松,陳大偉,王玉璋,劉大偉,魏琦幕后花絮
愿大家擁有幸福
本作は田舎に住む祖父母に會いに行く看護學生の孫を主人公にした物語。孫は家族水入らずで幸せな時間を過ごすが、祖父母の家にいる「何か」に違和感を覚え、やがて人間の存在自體を揺るがすような根源的な恐怖に直面する。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster