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雷霆營救
安志杰,Vanessa,羅偉,趙儒嫣,Alleyn,柯恬柔,Hamid,高明燊無瑕修女
西德尼·斯維尼,西蒙納·塔巴斯科,阿爾瓦羅·莫奇,貝內(nèi)黛塔·波爾卡羅利,朵拉·羅馬諾,吉皮耶羅·朱迪卡,喬治·科蘭杰利X誰嫁誰噶了誰
露西·海爾,維吉尼亞·加德納,布魯克·尼文,薩默·薩利姆,Bethany Brown,杰瑞·蒂納科,杰迪代亞·古達(dá)克,Brendan Morgan,Haley Victoria Hunt,RJ·費(fèi)瑟斯頓豪,勞拉·延加,斯賓塞·博爾格森,Edem Nyamadi,Pete MacLeod,Brad Abramenko,Kyle Mosonyi,Cam Woodman,Sequoia Wiseman,肯德拉·赫斯凱特,韋恩·科貝伊花心夢里人
陳勛奇,曾志偉,張敏海底兩百里
沃爾特·皮金,瓊·芳登,芭芭拉·伊登,彼得·洛,羅伯特·斯特靈獵殺游戲
格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛(wèi)·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克同類推薦
總統(tǒng)班底
達(dá)斯汀·霍夫曼,羅伯特·雷德福,杰克·沃登,馬丁·鮑爾薩姆,哈爾·霍爾布魯克,F·默里·亞伯拉罕,簡·亞歷山大,杰森·羅巴茲根據(jù)水門事件揭發(fā)人Carl Bernstein和Bob Woodward所寫自傳改編的電影。二人是《華盛頓郵報》的記者,在水門事件里,他們歷盡艱辛揭開政治黑幕,人物和事件一同成為美國一段家喻戶曉的歷史。故事由五名盜賊開始,他們潛入水門大度行竊。本來是一樁不甚重大的刑事案件,卻在Bernstein(達(dá)斯汀·霍夫曼Dustin Hoffman 飾)和Woodward(羅伯特·雷德福Robert Redford 飾)的追查下,最終撕開了一條大裂縫,矛頭直指總統(tǒng)尼克松。從1972年到1974年,從尼克松競選總統(tǒng)到尼克松連任上臺,華盛頓郵報受到的壓力越來越大,甚至被威脅。主編本·布萊德利站在了新聞自由和相信自己記者的這邊,Bernstein和Woodward得以繼續(xù)追尋事件真相,得到了重要線人“深喉”的幫助,經(jīng)歷了難以想象的曲折艱辛后,水門事件最終導(dǎo)致尼克松總統(tǒng)下臺。
綠液驚魂
喬·基瑞,連姆·尼森,喬治娜·坎貝爾,索茜·貝肯,瓦妮莎·雷德格雷夫,萊絲利·曼維爾,亞倫·赫弗南,埃洛拉·托爾基亞,羅伯·柯林斯,賈斯汀·塞林格,加文·斯波克斯,安德魯·布魯克,達(dá)雷爾·席爾瓦,露伊薩·里希特,納赫爾·策蓋,丹尼爾·里格比,克萊爾·霍爾曼,瓦倫蒂娜·波普科娃,納納·詹姆斯兩個值守夜班的“倒霉蛋”甜點(diǎn)心(喬·基瑞 飾)和內(nèi)奧米(喬治娜·坎貝爾 飾),意外發(fā)現(xiàn)了瘋狂繁殖的外星寄生真菌,無福消受這頓重口加班餐的二人發(fā)出求救信號。“淡淡死感”的退休特工羅伯特(連姆·尼森 飾)被迫再就業(yè),重新上崗拯救即將被真菌腐蝕的世界。他們一邊躲避著因寄生而綠液四濺的宿主們,一邊和翻涌的腸胃做斗爭,在一陣陣爆漿聲中大開“驚喜盲盒”。這組畫風(fēng)迥異的“臨時戰(zhàn)友”能否阻擋這場末日浩劫?誰又能活著走出這個驚魂之夜……
我爸救了圣誕節(jié)2
圣地亞哥·塞古拉,埃內(nèi)斯托·塞維利亞,Pablo Chiapella一家玩具公司的狡猾主管綁架了圣誕老人,這對父子必須挺身而出,營救圣誕老人,拯救圣誕節(jié)。
觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘人到中年的車仔擁有一間網(wǎng)吧,但在手機(jī)游戲的沖擊下,早已人氣不再;三十未到的電競選手邦少正在面對實(shí)力下滑的職業(yè)困境;單親家庭長大的霏霏大學(xué)畢業(yè)超過五年,還未有過一份穩(wěn)定工作。曾是動作巨星的八爺因?yàn)槠拮影⑻m出現(xiàn)腦退化,年過70的二人嘗試?yán)秒娮佑螒騺礤憻挻竽X。一張全港電競賽的征集海報,讓想要拯救網(wǎng)吧的車仔決定組隊。車仔、霏霏、八爺,三個新手再加上一個急于證明自己的邦少,Happy Hour電競隊正式成立。親情、友情的羈絆化作電競賽場的搏殺,一場不可能完成的戰(zhàn)斗,讓心懷夢想的他們不再抱憾。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.