劇情簡(jiǎn)介
雖然埃莉斯是年輕和美麗,她的丈夫已經(jīng)不再關(guān)心與她ML的香草。此公在自我解決時(shí)離開她無(wú)聊,不滿意和有問(wèn)題的。然后,她遇見了神秘的攝影師雷內(nèi)和經(jīng)驗(yàn)的欲望和激情未知的措施。這件事突然變得致命的危險(xiǎn),當(dāng)她得知他懷疑女人除魔。
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呼嘯山莊2026
瑪格特·羅比,雅各布·艾洛蒂,周洪,艾莉森·奧利弗,沙扎德·拉蒂夫,馬丁·克魯勒斯,伊萬(wàn)·米切爾,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林頓,歐文·庫(kù)珀,薇·阮, 米莉·肯特,薇琪·佩珀代因,保羅·瑞斯,Robert Cawsey,加布里埃爾·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman改編自英國(guó)著名作家艾米莉·勃朗特同名經(jīng)典作品,英格蘭北部的荒原之上,一場(chǎng)跨越階級(jí)的禁忌之戀正在上演。莊園之主的女兒凱茜(瑪格特·羅比 飾)與被收養(yǎng)的孤兒希斯克利夫(雅各布·艾洛蒂 飾)青梅竹馬,靈魂契合彼此深陷。愛意悄然滋長(zhǎng)之時(shí),現(xiàn)實(shí)的殘酷和命運(yùn)的捉弄卻將二人分開。多年以后,他攜風(fēng)暴回來(lái),純潔的愛火逐漸從浪漫演變?yōu)榘V狂,譜寫了一曲關(guān)于欲望、愛與瘋狂的史詩(shī)篇章。
老兄救命
普拉迪普·蘭加納坦,Mamitha Baiju,R. Sarathkumar,羅希尼,赫里杜·哈龍,Dravid Selvam
在你的愛情里
丹努什,克里蒂·薩農(nóng),Sushil Dahiya等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
白石州往事
內(nèi)詳是中國(guó)獨(dú)立電影導(dǎo)演蔣潤(rùn)庭創(chuàng)作的科幻小說(shuō),在番茄小說(shuō)網(wǎng)連載,以虛構(gòu)城市白石州市爆發(fā)“WOC-13”新型狂犬病毒為背景,通過(guò)多角色故事展現(xiàn)末日危機(jī)下的人類求生選擇。
家弒服務(wù)
西德尼·斯維尼,阿曼達(dá)·塞弗里德,布蘭登·斯克萊納,米凱萊·莫羅尼,伊麗莎白·珀金斯,梅根·弗格森,艾倫·塔瑪基,印第安娜·艾爾,伊萬(wàn)·阿馬羅·布隆,莫瑞·金斯堡,多恩·迪皮塔,阿萊娜·蘇格納,阿拉貝拉·奧利維婭·克拉克,馬特·沃爾頓,阿曼達(dá)·喬伊·埃里克森,布賴恩·D·科恩,索菲婭·邦內(nèi)爾,凱倫·傅,亞歷山德拉·西爾,里根·菲茨杰拉德改編自芙蕾達(dá)·麥克法登的同名暢銷小說(shuō)?! 樯?jì)掙扎的女子米莉(西德尼·斯維尼 Sydney Sweeney 飾)找到了一個(gè)新的開始,在一對(duì)看似完美且富有的夫妻妮娜(阿曼達(dá)·塞弗里德 Amanda Seyfried 飾)和安德魯(布蘭登·斯克萊納 Brandon Sklenar 飾)的家中做家政。然而,米莉很快發(fā)現(xiàn)一家人的秘密比自己的要危險(xiǎn)得多,這座豪宅背后上演著充滿秘辛、丑聞、權(quán)力誘惑的游戲。