愛情大謊言

★ 6.3 播放:95萬 更新:2026-04-26
主演:Hugo Silva Alejo Sauras Ana 

影片講述了一群俊男靚女,在青碰到女鬼,我花了一個小時解釋唯物主義,讓她相信自己不存在春和大人世界中企圖突破性的極限。

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劇情簡介

影片講述了一群俊男靚女,在青碰到女鬼,我花了一個小時解釋唯物主義,讓她相信自己不存在春和大人世界中企圖突破性的極限。

導演精選

導火線2025

 倫敦一個建筑工地發現了一枚未爆炸的二戰時期炸彈,當拆彈專家前來處理時,引發了大規模疏散,同時也為一場銀行搶劫提供了完美的掩護。

王牌保鏢2

  這對世上最要命的混搭-——保鏢邁克爾·布萊斯和殺手大流士·金凱,再次執行一項要命任務。  大流士反復無常更勝以往的妻子——臭名昭著的國際詐騙家索尼婭·金凱迫使布萊斯出山。  布萊斯被這倆最危險的保護對象逼得走投無路,三人在一個全球級的陰謀中陷入困境,很快還發現他們是一個大瘋子復仇歐洲的唯一障礙。  摩根·弗里曼也加入了這場有趣而又致命的亂局,他飾演的是——嗯,不得不看。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.