別墅囚禁

? 1.0 播放：61萬 2026-04-26
主演：Liza Del Sierra Dario Lado 

法國情色片由大人女星厭倦*情行業遷居美國，誰料鄰居友人心懷不*意*行竊，不想行動過程屋主回歸，此幫*人乾脆一不做二不休，上演驚天動地的搶劫擄掠***行！真實大人人女星麗莎 t;黛兒 席亞拉首度觸電大銀幕大*出演2012法國犯罪驚悚劇情新片！ 為了尋求新生活，一名*人電影的年輕女演員Lust Audrey(Liza Del Sierra)來到佛羅里達尋找一個新的身份。只是當本地的暴徒認出她之后，她希望重新的平淡生活被粉碎了...(一部強*與復仇電影，結合[我唾*你的墳墓]和[魔屋]之元素) 　　

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劇情提要

法國情色片由大人女星厭倦*情行業遷居美國，誰料鄰居友人心懷不*意*行竊，不想行動過程屋主回歸，此幫*人乾脆一不做二不休，上演驚天動地的搶劫擄掠***行！真實大人人女星麗莎 t;黛兒 席亞拉首度觸電大銀幕大*出演2012法國犯罪驚悚劇情新片！ 為了尋求新生活，一名*人電影的年輕女演員Lust Audrey(Liza Del Sierra)來到佛羅里達尋找一個新的身份。只是當本地的暴徒認出她之后，她希望重新的平淡生活被粉碎了...(一部強*與復仇電影，結合[我唾*你的墳墓]和[魔屋]之元素) 　　

幕后花絮

怪形前傳

　　時為1982年，一支隸屬挪威的三人南極科考隊在冰原中行進，意外發現一艘一百萬年前的奇怪船只，并且在附近找到了凍于嚴冰之中的神秘生物。才貌雙全的美國古生物學家凱特·洛伊德（瑪麗·伊麗莎白·文斯蒂德 Mary Elizabeth Winstead 飾）在桑德爾·哈沃森博士（Ulrich Thomsen 飾）的邀請下，隨同一眾科研工作者前往南極。經過認真研究，他們發現這是地球上從未有過的生物。正當科學家們為了這個偉大的發現載歌載舞慶祝之時，神秘生物悄悄解凍，繼而向人類展開兇殘的襲擊。經過一番慘烈的搏斗，怪物最終葬身火海。　　但是厄運并未就此結束，經過對怪物細胞的觀測，凱特隱隱感到一場災難正向全人類襲來……

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.