妖姬與艷妓

1.5 播放:53萬 更新:2026-04-27
主演: 世羅 鄭賢錫 徐真 柳希婷 

韓國舉辦的大人電影足本徵文競賽,這是一部得獎前三名的足本編劇而成集的情色影片。首部描寫小康家庭的少婦,從先生處得不到滿足,夜夜夢見猛侽歡娛她,某一天夢中俊侽竟然出現在現實生活,使她夢想成真。第二部敘述一個辣妹,回想分手後的超強美侽,第三部描寫一位不曾嚐過幸福味道的眉妹,巧遇一位比她更年輕的少侽,兩人恩噯,重獲人生活的原動力。   

即刻觀影

劇情賞析

韓國舉辦的大人電影足本徵文競賽,這是一部得獎前三名的足本編劇而成集的情色影片。首部描寫小康家庭的少婦,從先生處得不到滿足,夜夜夢見猛侽歡娛她,某一天夢中俊侽竟然出現在現實生活,使她夢想成真。第二部敘述一個辣妹,回想分手後的超強美侽,第三部描寫一位不曾嚐過幸福味道的眉妹,巧遇一位比她更年輕的少侽,兩人恩噯,重獲人生活的原動力。   

編輯推薦

毒蜂

富大龍,許亞軍,高梓淇,侯勇,呂良偉,王斑,鄭曉寧,張苡寧,張靜靜,白慶琳,方姝晴,袁帥

新型毒品“蜜蜂”在江州毒品市場肆虐,隨著研制者“毒蜂”被緝拿歸案,其配方也面臨消失,毒界變得風聲鶴唳。主人公段成(富大龍 飾)在一次押送途中越獄,并對外宣稱自己是“唯一知道蜜蜂配方”的人,面臨配方重出江湖的巨大誘惑,多方勢力開始對段成展開威逼利誘。經歷追殺、強行被注入毒品等非人折磨后,段成滲入毒巢,以“誘餌”身份一步步接近大毒梟“蜂王”……另一方面,江州警方的“捕蜂人行動”也正式啟動,一場正與邪、善與惡的黑白對決一觸即發……

商戰街

Saif Ali Khan,Radhika Apte,Chitrangda Singh

  這是一部關于股票交易的影片,處處流露著金錢和欲望,一個草根鳳凰男逆襲的故事。男主出生并成長在印度的一個小山村里。男主一心夢想前往孟買,去為自己的偶像(一位金融大鱷)去打工。金融大鱷亦是貧寒出身但卻成功逆襲的典范。男一號發誓要成為像該金融大鱷一樣的成功男士。男一號憑借自己 的努力和對機遇的掌控,在一年時間內,成為該金融大鱷最得力的助手。一時間,賓利,私人飛機,游艇都已是囊中之物;順便,男一號再抱得美人歸。然而,一切的成功都來的太突然。男一號殊不知自己只不過是金融大鱷的傀儡。而漂亮的女友也只不過是金融大鱷的情婦而已。擺在男一號面前有兩條路。是接受金融大鱷所給的上億支票繼續為奴,還是推倒金融大鱷,自己徹底翻身?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

玉蝎子的魔咒

John Tormey,伍迪·艾倫,海倫·亨特,查理茲·塞隆,丹·艾克羅伊德,伊麗莎白·伯克利

  CW?布里格斯(伍迪?艾倫飾)是20世紀40年代美國紐約著名的北海岸保險公司的最出色的保險調查員,他的拿手絕活是能窺探犯人心中所想,從而輕而易舉地破案。自從老板請來了“效率專家”貝蒂,這一切就改變了。貝蒂新官上任,帶來新的策劃新的管理方式,布里格斯成為被開刀的第一人。二人之間火藥味甚濃。在同事喬治的生日會上,他倆被魔術師叫上臺,在玉蝎子的魔力下,二人被催眠,醒來后對剛才發生的事一無所知。  之后城內接二連三發生珠寶盜竊事件,而被竊珠寶的報警裝置是布里格斯親手設置的,沒有他是不可能破開的。在調查案件中,肯辛頓家的尤物女兒(查理?塞隆飾)主動約他約會,他懷疑她的動機。而貝蒂請來偵探協助他調查讓他更為不快。  貝蒂是上司的情人,因為老板遲遲不肯跟妻子離婚而倍感傷心。神使鬼差走到了布里格斯家跟他傾訴,布里格斯懷疑是貝蒂泄漏了公司機密,隨后貝蒂對他的示愛更令他加深懷疑。  要在一系列歡笑嬉鬧中,最后才想起一切緣自當初的那個玉蝎子的魔法,這些盜竊案最后還撮合了一對天作之合。

獵殺游戲

格倫·鮑威爾,喬什·布洛林,邁克爾·塞拉,科爾曼·多明戈,凱蒂·M·奧布萊恩,李·佩斯,威廉·H·梅西,西恩·海耶斯,大衛·札亞斯,杰米·勞森,艾米莉亞·瓊斯,卡爾·格洛斯曼,丹尼爾·埃茲拉,李·查爾斯,桑德拉·迪金森,喬治·卡羅爾,索菲·西蒙特,奧妮克·阿德莉,喬伊·安沙,布蘭登·伯克

  在近未來的反烏托邦社會,電視真人秀《過關斬將》(The Running Man)以血腥的生存競賽霸占收視榜首。參賽者被稱為“跑者”(Runners),必須在職業殺手的追獵下存活30天,一舉一動皆被實時直播給嗜血的公眾觀眾;每多活一天,便能累積更高額獎金。  工人階級的本·理查茲(格倫·鮑威爾 飾)為拯救重病女兒孤注一擲,被節目魅力十足卻冷酷無情的制作人丹·基利安(喬什·布洛林 飾)說服,以“最后希望”的身份踏入這場死亡游戲。  然而,本的叛逆、求生本能與堅韌意志,竟讓他意外成為全民追捧的偶像——同時也成了整個體制的致命威脅。 隨著收視率飆升至巔峰,危險指數同步暴漲。本不僅要智勝步步緊逼的獵人,更需對抗整個國度對他“慘敗”的瘋狂期待。  影片改編自史蒂芬·金的同名小說。

當你約會的時候

  克和茱莉婭因為攝影在網上相識,兩人分享彼此的攝影作品,并且嘗試在網上交往。在朋友的慫恿下,尼克主動約茱莉婭見面,試圖開始真正交往,不料見面后才發現,網上的茱莉婭竟然是自己的前妻,因為事業觀不合在幾年前離婚了。簡單交談了幾句后兩人為對方安排了一場約會,但都因為性格原因導致約會無疾而終,實則是因為彼此對對方還都保留著好感。尼克邀請茱莉婭參加朋友家舉辦的晚會,朋友們都認為他們非常般配,他們也有意重新開始。在這關鍵時刻,茱莉婭的前男友出現,試圖挽回茱莉婭,而尼克的前女友也又一次聯系了尼克,他們礙于面子,將復合的事情擱淺在一旁。茱莉婭和尼克各自與前任相處了一段時間后發現還是忘不了對方,在情人節的晚上,他們終于放下心結,重新走到一起。