星路夢(mèng)回

評(píng)分:2.9 播放:69萬(wàn) 更新:2026-04-26
主演: 芳怡 李品儀 王詠芝 

;小玲一向想要進(jìn)入影視圈,成為明日新星,在巧遇導(dǎo)演阿海后,為了成名而犧牲出賣自己靈魂色相,將肉體獻(xiàn)給阿海,進(jìn)而藉在阿海的任務(wù)狀況,更熟習(xí)片子公司老板老龍,小玲進(jìn)入影藝圈后,終于體味唯有龍老板,才能給自己有未來(lái)光耀前景,也只要繼續(xù)行使自己身體,跟龍老板交流未來(lái)美好的胡想,但是阿海熟習(xí)小玲利令智昏,有了龍老板就忘了舊人選拔,在愛(ài)恨交集下,設(shè)計(jì)要步步毀滅小玲...   

劇情簡(jiǎn)介

;小玲一向想要進(jìn)入影視圈,成為明日新星,在巧遇導(dǎo)演阿海后,為了成名而犧牲出賣自己靈魂色相,將肉體獻(xiàn)給阿海,進(jìn)而藉在阿海的任務(wù)狀況,更熟習(xí)片子公司老板老龍,小玲進(jìn)入影藝圈后,終于體味唯有龍老板,才能給自己有未來(lái)光耀前景,也只要繼續(xù)行使自己身體,跟龍老板交流未來(lái)美好的胡想,但是阿海熟習(xí)小玲利令智昏,有了龍老板就忘了舊人選拔,在愛(ài)恨交集下,設(shè)計(jì)要步步毀滅小玲...   

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

門禁2025

梅歌林·艾奇坤沃克,莫·麥克雷,布蘭登·費(fèi)拉

A couple near the end of their marriage begin to encounter supernatural forces that cause them to fight for their lives.

驚魂繡花鞋

何乙軒,劉漢兆,輝燦,周昕妤,郭亞菲,郭玉英,賈明瑛

  一雙繡花鞋,隱藏著一個(gè)死亡詛咒,凡是穿過(guò)繡花鞋的人都意外慘死,無(wú)一幸免。安雯(何乙軒 飾)大病未愈,擺脫了丈夫潘航(輝燦 飾)和醫(yī)生的看護(hù),獨(dú)自逃回老家古宅生活。安雯在老宅發(fā)現(xiàn)了一雙祖上流傳并受到死亡詛咒的繡花鞋,陰差陽(yáng)錯(cuò)之下繡花鞋穿在了她的腳上,意外開啟了繡花鞋上的死亡詛咒。咒怨生效冤魂索命,盤桓在老宅之中的詭影無(wú)處不在,無(wú)法擺脫的惡靈如影隨形,迫使頻臨崩潰的安雯做出瘋狂的舉動(dòng),陷入一場(chǎng)危機(jī)四伏的驚魂逃亡……

女人

寶拉雅娜·麥金托什,勞倫·阿什利·卡特,肖恩·布里吉格斯,安吉拉·貝蒂斯,卡爾利·貝克,馬西婭·貝內(nèi)特,喬安娜·哈靈頓,湯米·尼爾森,Shyla Molhusen,Gordon Vincent,Zach Rand,Shelby Mailloux,Tyler Merlini,Jordan Carrasquillo,Jordan Chapalonis

  影片講述了一個(gè)從小被拋棄于森林,依照動(dòng)物生存模式存活下來(lái)的女人。被一個(gè)男人擄掠回家并且受盡欺凌。這家人中,男主人極度大男子主義,仇視女人。小兒子因?yàn)槭芨赣H教導(dǎo)也對(duì)女人極不尊敬。懦弱并逆來(lái)順受的母親,被父親侮辱而懷孕的大女兒,以及不諳世事的小女兒。故事的最后,大女兒在極度絕望和恐懼的支配下放了野女人,野女人殺了她的父母和弟弟,帶走了她的妹妹。   本片以不太恐怖的氛圍,卻深刻的暗喻了一個(gè)至今仍然存在的嚴(yán)重的社會(huì)現(xiàn)象,男人應(yīng)該如何看待女人,女人應(yīng)該如何正確扮演家庭中的角色。

屈從

梅根·??怂?米凱萊·莫羅尼,瑪?shù)铝铡て娆?瑪?shù)贍栠_(dá)·弗思,裘德·格林斯坦,安德魯·惠普,阿塔納斯·斯雷布雷夫,瑪納爾·埃爾-費(fèi)圖里,安東尼·達(dá)維多夫,J·R·埃斯波西托,羅納克·帕塔尼,特雷弗·范烏登,凱特·尼科爾斯,王可欣,德雷克·莫斯,萊斯·韋爾登,馬克斯·克勞斯,艾登·霍萊特,尤安·邁克納頓,沃利扎·比尼夫

  一個(gè)手忙腳亂的父親(莫羅尼 飾)購(gòu)買了一個(gè)家政服務(wù)機(jī)器人(??怂?飾)來(lái)幫忙打理家務(wù)、照顧家人,然而隨著機(jī)器人的意識(shí)覺(jué)醒,一家人反而陷入了危機(jī)之中……

王勝:紫色

王勝

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