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致命錄像帶
Calvin Reeder,萊恩·休斯,亞當·溫加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer芭比真人版
瑪格特·羅比,瑞恩·高斯林,亞美莉卡·費雷拉,阿麗亞娜·格林布拉特,凱特·麥克金農,海倫·米倫,威爾·法瑞爾,伊薩·雷,哈莉·尼夫,艾瑪·麥基,亞歷山德拉·希普,莎朗·魯妮,妮可拉·考夫蘭,邁克爾·塞拉,康納·斯溫德爾,舒提·蓋特瓦,劉思慕,金斯利·本-阿迪爾,斯科特·埃文斯,杜阿·利帕,約翰·塞納,雷亞·普爾曼,里圖·阿亞,安娜·科魯茲·凱恩,埃默拉爾德·芬內爾,詹米·德米特魯,安·羅斯,瑪瑞薩·阿貝拉,妮基塔·查達哈,安妮·瑪莫羅,麥肯納·羅伯茨,漢娜·卡利克-布朗,斯特林·瓊斯,黛布·海特,杰西卡·慳錢家族
楊千嬅,陳奕迅,鄭裕玲,曾志偉,黎耀祥,何超儀攻克柏林
米凱爾·蓋洛瓦尼,Boris Andreyev,Vladimir Savelev,Marina Kovalyova,N. Petrunkin,Marie Nováková,Yuri Timoshenko,A. Urasalyev,Nikolai Bogolyubov,揚·韋里希,Sofiya Giatsintova,K. Roden,鮑里斯·捷寧,維克托·斯坦尼岑,Oleg Frelikh,鮑里斯·里瓦諾夫,謝爾蓋·比林尼科夫,Vladimir Lyubimov,Konstantin Bartashevi素媛
薛景求,嚴志媛,李來,金海淑,金相鎬,羅美蘭,楊真誠,權泰元瘋狂舞蹈辦公室
廉惠蘭,崔成恩,崔乂園,樸浩山,白賢鎮,安桐丘,尹善賢,申藝燦同類推薦
姐妹情深
艾米莉·布朗特,羅絲瑪麗·德薇特,馬克·杜普拉斯,邁克·比爾比利亞,梅爾·埃斯林,凱特·貝利,珍妮特·摩絲Jack(馬克·杜普拉斯 Mark Duplass 飾)因為弟弟Tom的去世已經消沉很長一段時間了,他的好朋友,也是Tom的前女友Iris(艾米莉·布朗特 Emily Blunt 飾)勸他騎著單車到她父親在一座小島上的屋子里去思考人生。來到屋子的Jack卻意外發現了Ir is的姐姐Hanna(羅絲瑪麗·德薇特 Rosemarie DeWitt 飾)也在。兩人喝了酒,相談甚歡,情不自禁地發生了關系。第二天,因為工作調整而放假的Iris也來到了這屋子里。三個各懷心事的人將上演怎樣一出喜劇?
我很在乎
裴淳華,彼特·丁拉基,艾莎·岡薩雷斯,黛安·韋斯特,克里斯·梅西納,小伊塞亞·維特洛克,梅肯·布萊爾,艾麗西亞·維特,達米安·楊,尼古拉斯·羅根,利茲·恩格,喬治亞·萊曼,克里斯·埃弗里特,何塞·岡斯·阿爾維斯,凱文·芬內西,珍妮爾·費格利,杰米·加扎里安,阿德里安·M·蒙波因特瑪拉(裴淳華 Rosamund Pike 飾)經營著一家監護人公司,她專門尋找身體情況欠佳同時又無依無靠的老年人下手,通過并不是那么合法的手段令自己成為他們的法定監護人,將他們送進療養院,之后便可接手和變賣他們的財產和房產,再將所得據為己有。 某日,瑪拉將下一個“吞噬”的目標放在了一位名叫珍妮弗(黛安娜·維斯特 Dianne Wiest 飾)的老太太身上,經調查,珍妮弗沒有任何的親人,同時又擁有著價值不菲的遺產,簡直就是他們的最佳“肥羊”。在一番操作之后,珍妮弗被沒收手機關進了療養院,但此時的瑪拉和她的戀人兼合伙人弗蘭(艾莎·岡薩雷斯 Eiza González 飾)并不知道的是,她們惹上了一個不該惹,也不能惹的人。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
人肉炸彈
莉斯爾·阿勒斯,蕾內·斯沃特,肖恩·卡梅倫·邁克爾九個朋友,去森林露營過程中他們經歷了一個瘋狂的奪命之夜。派對醒來時,九個人胸前綁著自殺式炸彈,倒計時鐘上都有不同的時間。當他們發現可以通過殺死對方來“占用”對方的時間時,自相殘殺開始了。
大明嬪妃之困斗
宋洋,何杜娟,朱一龍,陳一諾十年之后,新太子妃因病去逝,留下一子朱由校,太子消沉,王恭妃常年生病,三皇子回京被冊封,姚芊芊被囚禁……鄭貴妃誓要奪取太子之位。王恭妃心急如焚,情急之下,梅兒說出蘭心并沒有死,并回憶:原來蘭心并沒有瘋,因為她無法面對太子,請求梅兒放她走,于是梅兒送走了蘭心,并說出蘭心一直住在蓮花庵。王恭妃不顧病體,拼死懇求蘭心歸來,蘭心最終答應了王恭妃。后王恭妃逝世。鄭貴妃安排萬歷并不知情。蘭心趁機偷偷面見,告知王恭妃的死訊,最終蘭心去了吉壤,半夜三更,道士刺殺太子,梅兒追蹤,結果摔下山,蘭心趕到,救了太子,太子暈迷,并在山下發現了梅兒……太子醒后與蘭心相認了,后來蘭心無意中說漏嘴,無奈告訴了太子事實的真相,太子傷心欲絕。萬歷把鄭貴妃叫到跟前,斥責對王恭妃的死訊隱瞞不報,并且萬歷知道鄭貴妃派人行刺一事, 鄭貴妃被禁足。最終按皇貴妃的禮制厚葬了王恭妃