變形記
When暫無(wú)內(nèi)容Europe暫無(wú)內(nèi)容skips暫無(wú)內(nèi)容class暫無(wú)內(nèi)容to暫無(wú)內(nèi)容climb暫無(wú)內(nèi)容aboard暫無(wú)內(nèi)容an暫無(wú)內(nèi)容eight-wheel暫無(wú)內(nèi)容truck暫無(wú)內(nèi)容with暫無(wú)內(nèi)容a暫無(wú)內(nèi)容magnetic暫無(wú)內(nèi)容young暫無(wú)內(nèi)容man暫無(wú)內(nèi)容named暫無(wú)內(nèi)容Jupiter,暫無(wú)內(nèi)容little暫無(wú)內(nèi)容does暫無(wú)內(nèi)容she暫無(wú)內(nèi)容know暫無(wú)內(nèi)容of暫無(wú)內(nèi)容the暫無(wú)內(nèi)容journey暫無(wú)內(nèi)容of暫無(wú)內(nèi)容initiation暫無(wú)內(nèi)容that暫無(wú)內(nèi)容lies暫無(wú)內(nèi)容ahead暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her.
劇情簡(jiǎn)介
When暫無(wú)內(nèi)容Europe暫無(wú)內(nèi)容skips暫無(wú)內(nèi)容class暫無(wú)內(nèi)容to暫無(wú)內(nèi)容climb暫無(wú)內(nèi)容aboard暫無(wú)內(nèi)容an暫無(wú)內(nèi)容eight-wheel暫無(wú)內(nèi)容truck暫無(wú)內(nèi)容with暫無(wú)內(nèi)容a暫無(wú)內(nèi)容magnetic暫無(wú)內(nèi)容young暫無(wú)內(nèi)容man暫無(wú)內(nèi)容named暫無(wú)內(nèi)容Jupiter,暫無(wú)內(nèi)容little暫無(wú)內(nèi)容does暫無(wú)內(nèi)容she暫無(wú)內(nèi)容know暫無(wú)內(nèi)容of暫無(wú)內(nèi)容the暫無(wú)內(nèi)容journey暫無(wú)內(nèi)容of暫無(wú)內(nèi)容initiation暫無(wú)內(nèi)容that暫無(wú)內(nèi)容lies暫無(wú)內(nèi)容ahead暫無(wú)內(nèi)容of暫無(wú)內(nèi)容her.
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比利·坎貝爾,詹妮弗·康納利,艾倫·阿金,提摩西·道爾頓,保羅·索維諾,特瑞·歐奎恩,埃德·勞特爾,詹姆斯·漢迪,Robert Miranda,喬·鮑里托,埃迪·瓊斯,威廉·桑德森,Nada Despotovich,瑪格·馬丁戴爾,America Martin,馬克斯·格隆切克,邁克爾·米爾漢,喬·達(dá)安格里奧,克林特·霍華德,Tommy J. Huff,帕特·克勞福德·布朗,朱利安·巴恩斯,彼得·布羅米洛,Tom Kindle,威廉·弗蘭克神父,諾伯特·魏塞爾,梅羅拉·哈丁,瑞克·歐弗頓,Dick War《火箭人》（The Rocketeer）是迪士尼１９９１年推出的電影，故事題材是由 Dave Stevens 同名的圖文小說(shuō)改編而成。 本片是發(fā)生在１９３０年代的好萊塢，有一個(gè)軍方的秘密武器意外落在一位競(jìng)技表演飛行員 Cliff Secord 手中，他對(duì)此一推進(jìn)器頗感驚奇， 最后他背上了這付怪東西、戴上面具，成了行俠仗義的『火箭人』，然而各方人馬都想奪得這項(xiàng)秘密武器，尤其有一位好萊塢影壇的知名男演員 Neville Sinclair ，他其實(shí)是納粹潛伏在好萊塢的情報(bào)份子，為了奪得火箭，他還挾持了 Cliff 的女友 Jenny Blake，火箭人 Cliff 于是展開(kāi)他的救援行動(dòng)。 本片由《親愛(ài)的我把孩子縮小了》、《野蠻游戲》、《侏羅紀(jì)公園３》以及《百勝天龍》影集的知名導(dǎo)演 Joe Johnston 所執(zhí)導(dǎo)，他同時(shí)也是《星際大戰(zhàn)》系列的特效大師。至于演員方面，男主角 Cliff 由 Bill Campbell 擔(dān)任，女主角則是 Jennifer Connelly，至于片中那位大反派間諜演員，則是由曾演過(guò)００７的 Timothy Dalton 擔(dān)任。 本片配樂(lè)的是 James Horner ，原本原聲帶都已經(jīng)絕版多年，但在前幾年《鐵達(dá)尼號(hào)》造成發(fā)燒的時(shí)候， James Horner 的作品又造成熱潮，迪士尼旗下的好萊塢唱片于是再版發(fā)行了這張電影原聲帶，如今則又絕版了。
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
情報(bào)2025
許成泰,趙福來(lái)Korea’s most intimidating actor, Heo Sung-tae (Squid Game), stars as Detective Oh Nam-hyuk—a well-meaning but spectacularly inept cop clinging to his badge by a thread. When a botched sting operation lands him in over his head, he’s forced into an unlikely partnership with Tae-bong (Jo Bok-rae), a razor-sharp informant whose cover (and savings) are blown by Nam-hyuk’s bumbling. With a smuggling ring to bust, a fortune to recover, and zero trust between them, the mismatched duo must navigate double-crosses, blown covers, spectacularly stupid raids, and bruised egos.
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