夫妻成長日記3：愛情陷阱

? 2.1 播放：56萬 2026-04-27

小野田和真正的良好意愿，仲升井睦新婚夫婦結婚的處女處女互相給對方。有一天，當你回家了，都聚集在一對夫婦的真正的家，我遇到了真正詩織同學。它是兩個人讓人想起了團聚后的很長一段時間，但是，詩織一直保持真誠的感情10年。詩織盡管身體，拒絕嫁給武同學，杜絕了我的感情，偷偷叫真正的，真正的突然一吻。好，你已經目睹意外發生......。

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? 播放 夫妻成長日記3：愛情陷阱

劇情提要

小野田和真正的良好意愿，仲升井睦新婚夫婦結婚的處女處女互相給對方。有一天，當你回家了，都聚集在一對夫婦的真正的家，我遇到了真正詩織同學。它是兩個人讓人想起了團聚后的很長一段時間，但是，詩織一直保持真誠的感情10年。詩織盡管身體，拒絕嫁給武同學，杜絕了我的感情，偷偷叫真正的，真正的突然一吻。好，你已經目睹意外發生......。

幕后花絮

捏造貝多芬

本片改編自同名小說。貝多芬（古田新太 飾），眾人心中的孤高天才，原來竟是秘書一手捏造的“神話”？本片揭開歷史迷霧，講述一個粗俗邋遢的真實貝多芬，如何在忠實秘書辛德勒（山田裕貴 飾）的筆下，被改寫成永垂不朽的圣人音樂家。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.