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字母殺手
艾麗莎·杜什庫,加利·艾爾維斯,湯姆·馬洛伊,蒂莫西·赫頓,邁克爾·艾恩塞德半身死靈2
巖田小百合,仲村美羽,長宗我部陽子,松島初音,真知里沙,山本彩乃,朝倉蜜柑,安藤成子,水木薫,川上洋一郎,大島優子逆轉劫局
烏戈·席爾瓦,埃瑪·蘇亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達,蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費爾南多·阿爾比祖鐵弓傳奇
孟可,王昱凱,潘洋,張莉佳,李運凱彼岸2025
瑟比耶·比赫緹婭,弗雷德·赫辛格,Alicher Adill,伊麗努爾·艾爾肯,Erden Uyghur,Esther Chen,Celine Cheung,杰西卡·馬,Whitney Chi,Winnie Guo,Ella Rouwen Chen,加布里埃爾·弗曼,Joshua De Jesus,Divina Ito,Justin Cotta,Jasmin Richardson,Tien-Li Wu,熊琳,瑪瑞娜·卡貝洛,Austin Owens Kelly科學怪人的怪獸 山達對蓋拉
ラス?タンブリン,睦五郎,佐原健二,水野久美同類推薦
跨國銀行
克里夫·歐文,娜奧米·沃茨,阿明·繆勒-斯塔爾,烏爾里奇·湯姆森,布萊恩·F·奧博恩規模龐大幾乎盤踞全球的跨國銀行IBBC在這個錢權主宰的社會里簡直無所不能,它不僅操控著各國經濟,牽制著政府的決策,甚至參與洗錢、販賣軍火、勒索綁架等各種黑道行動,它就像一只大章魚將觸角伸向黑夜的每個角落。國際刑警路易斯·塞林格(克里夫·歐文 Clive Owen 飾)目睹同事因企圖泄露銀行機密而遭遇暗殺,他決意受命前往柏林徹查IBBC洗錢內幕,得益于另一位正義者副檢察官埃莉諾·惠特曼(娜奧米·沃茨 Naomi Watts 飾)的同行協助,兩人很快發現了跨國銀行更多鮮為人知的非法活動,甚至包括資助恐怖分子和發動戰爭。兩人決心揭露跨國銀行的真實面目,然而,無所不知的IBBC早已注意到這兩只螻蟻,殺手隨即派到,路易斯和埃莉諾最終能否贏得這場螳臂當車的生死周璇?
特蕾莎修女
勞米·拉佩斯,西爾維婭·侯克斯,尼古拉·里斯坦諾夫斯基,Ekin Corapci,Marijke Pinoy,拉賓娜·米特威斯卡講述特蕾莎修女一生中關鍵的7天,即她決定離開加爾各答的洛雷托·恩塔利修道院,創立自己的修道會的時期。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
暗殺國度
奧黛莎·楊,阿布拉,蘇琪·沃特豪斯,哈莉·尼夫,科爾曼·多明戈,丹尼·拉米雷斯,喬爾·麥克哈爾,茉德·阿帕圖,科迪·克里斯蒂安,比爾·斯卡斯加德,庫倫·莫斯,貝拉·索恩,小凱文·哈里森,阿尼卡·諾尼·羅斯,杰夫·波普,諾亞·蓋爾文背景設定在馬薩諸塞州塞勒姆鎮,當一個破壞分子開始在網上發布小鎮里每個人的私人生活細節,將小鎮生活攪得天翻地覆后,一個精通社交媒體的高中學生和她的朋友們等待著觀察最終結果。 瀏覽器歷史記錄、私信、非法下載、秘密文本鏈甚至更加糟糕的因素,造成了數字時代能夠發生的最糟糕的情況。
春生回家
日軍侵華,陳春生目睹父親慘死刀下,執念驅使他不顧母親哀求,深夜偷跑參軍,立誓抗日救國,再回家鄉。他在戰場浴血成長,終見山河光復,然而內戰打響,拖慢了他回鄉的腳步。陳春生拒絕向同胞舉槍,淪為逃兵被關押,1949年被強行運往臺灣。在臺數十年,他漂泊無依,雖遇良伴組建新家,卻始終被思鄉之苦煎熬。兩岸三通后,他竟得知母親仍在等他,八十三歲的他飛奔回鄉,與百歲母親相認,這份遲到71年的承諾,終在生命盡頭圓滿。