紅發

評分：0.4 播放：91萬 更新：2026-04-25

20世紀50年代衣食豐足的鄉村家庭。家中最小的男孩由于一頭紅發，臉上布滿雀斑，被母親取了“胡蘿卜須”的小名。胡蘿卜須本是個純良的孩子，他努力親近父母，渴望愛撫。然而母親因偏愛他的哥哥和姐姐而歧視他，對他冷峻刻薄，他很想知道母親的身體，終于在偷看母親洗澡的時候跌落而摔破了頭。

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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster