狗臉的歲月

評(píng)分：2.3 播放：57萬 更新：2026-04-22

20世紀(jì)50年代，小男孩英格瑪（AntonGlanzelius飾）和體弱多病的媽媽（AnkiLidén飾）、經(jīng)常欺負(fù)自己的哥哥以及心愛的小狗，住在瑞典某個(gè)平靜的小鎮(zhèn)上。他的父親離家而去，母親又長年為疾病所困擾。兩個(gè)小男孩根本不能融洽相處，經(jīng)常在家里打得沸反盈天。不堪其擾的母親決定將他們分別送到親戚家寄養(yǎng)。如小狗一樣被趕出家的英格瑪，卻由此見到了另一片廣闊的天空……本片榮獲1987年丹麥影評(píng)人獎(jiǎng)最佳歐洲影片獎(jiǎng)、1988年波士頓影評(píng)人社團(tuán)獎(jiǎng)最佳外語片獎(jiǎng)、1988年金球獎(jiǎng)最佳外語片獎(jiǎng)、1987年西雅圖國際電影節(jié)最佳影片獎(jiǎng)、1986年瑞典金像獎(jiǎng)最佳男主角（AntonGlanzelius）和最佳影片。

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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

詛咒項(xiàng)鏈

維奧萊特·麥格勞,瑪?shù)铝铡湼駝?亨利·托馬斯,莎拉·林德,羅馬·瑪菲婭,菲利斯·索利斯,雅各布·莫蘭,克里斯蒂娜·摩爾,Archer Anderson,Amato D'Apolito,Connor Hammond,馬特·福勒,丹妮拉·麥斯米蘭,阿里·阿夫沙爾,Brynne Kurland,羅琳·約克,Charlotte Haynes Hazzard,Tony Panterra,Johnny Afshar,Madeleine Curry

　　Family navigates turbulent 1960s dynamics. Mom separates from alcoholic husband. Daughters grapple with changes. Dad's antique gift hides dark force that imperils all.

二〇二五年的歐陸

埃斯特·通帕,安娜瑪麗亞·比魯斯卡,馬里烏斯·達(dá)米安,伊林卡·馬諾拉切,瓦娜·馬爾達(dá)雷,謝爾班·帕夫盧,阿德里安·希塔魯,加布里埃爾·斯帕休,阿多尼斯·坦察

　　奧爾索利亞是特蘭西瓦尼亞主要城市克盧日的一名法警。一天，她必須將一名無家可歸的男子從地下室驅(qū)逐出去，這一行動(dòng)帶來了悲劇性的后果，使得奧爾索利亞必須盡力應(yīng)對(duì)隨之而來的道德危機(jī)。

午夜之花

北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之

一個(gè)生活在社會(huì)邊緣的母親永島夏希（北川景子 飾），白天在便利店打工，晚上在小酒館兼職，努力維持家庭的溫飽，但為了實(shí)現(xiàn)兩個(gè)孩子的夢(mèng)想，她不得已走上了成為毒販的道路。