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地面之下
Eric Abercrombie,Mira Antonova,Joseph Canales首都消失
渡瀨恒彥,名取裕子,山下真司,江角英明,大瀧秀治,石橋蓮司,石野陽子,加藤治子,岸部一德,三木紀平,夏八木勛,龍雷太,相馬剛三,丹波哲郎,津村鷹志,渡邊文雄,財津一郎,海老名美どり登帕卡農
?????????? ????????,?????? ???????????,????????? ?????????,??????? ???????????,??? ????????????,?????? ????????暗魔怨
彼得·費辛利,索菲婭·邁爾斯,娜塔莉亞·羅蒙絲,卡羅利娜·格拉,胡安·巴勃羅·甘博亞杰索拉·加尼美·卡美巴 決戰!南海的大怪獸
久保明,小林夕岐子,高橋厚子偶像活動!×美妙天堂 THE MOVIE -相遇的奇跡!-
下地紫野,茜屋日海夏同類精選
情棺
劉尚麟迷失太空
海瑟·格拉漢姆,威廉·赫特,米密·羅杰斯,杰克·約翰遜,萊西·沙伯特,加里·奧德曼,馬特·勒布朗幻視
南奎麗,李天熙,李奎翰,東鉉培,金宰范,鄭恩星,薛智允,崔大成,金光炫,吳雅琳,趙漢善,鄭敬淏洛桑的家事
金巴,扎西,加華草,更旦,居瓊欽冷光中
麥卡·夢露,艾倫·霍科,特洛伊·科特蘇爾,杰西·厄文,海倫·亨特,帕特里克·薩邦圭,戴維·哈索姆,瓦羅娜·塞茨瓦埃洛,諾亞·帕克,Jessica Abruzzese,Geena Meszaros,特雷西·麥克馬洪,Yannick Lemos,Steven Miller,Barry Tuff,奧斯汀·范德坎普,Margaux Vaillancourt,Jonathan Klotz,Don Bland,Rachelle Glait寫在大地上的詩
蘭嵐,查嶺影視排行
無法磨滅
雷·利奧塔,Linda Fiorentino,彼德·考約特西雅圖發生一宗商店殺人案,曾被告謀殺親妻的法醫大衛前往勘驗。 無意中卻在兇案現場發現與妻子遭謀害時的相同線索,于是他決定展開調查。 然而調查工作始終毫無展獲,直到他在募款晚會中結識一位美麗的神經學教授瑪莎。 瑪莎正研究某種特殊配方藥劑,可將老鼠的記憶力進行移植。 這使得大衛突發其想,偷走藥劑并將死者的記憶力注入自己體內進行人體試驗,好一睹兇案經過,找出兇嫌破案。 就在大衛一心想幫助警方破案的同時,兇嫌卻在與警方對峙時中槍身亡。 失去唯一線索的大衛,只能借用已死兇嫌的記憶找出下一步線索。 原以為到此即將結束的兇案及往日冤屈,卻在大衛親身體驗已死兇嫌的記憶過程中全面翻轉。 他發現了攸關自身的天大謊言…
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
空心大少爺
陳勛奇,葉倩文,午馬大光燈是富家闊少爺,由法國返回香港,繼承遺產,怎料繼父已將全部遺產贈送慈善機構,遺下給他的只是四字真言:自力更生。一夜之間,闊少爺落難無家可歸,暫寄居前管家炎叔家中,與此同時,大光燈開始尋回已各奔前程的昔日四個樂隊——人行支票樂隊的隊友,是非精、檸檬頭、貓糞。貓糞是頗負名氣的舞男,是非精貪圖金錢,好逸惡勞,甘愿繼續其舞男生涯,而檸檬頭經不斷碰壁,放棄對表妹的盲目追求,與小鳳同赴外國深造,生意則轉讓給大光經營……
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster