魔鬼之血
別名：赤裸之吻 / 芳心吸血鬼 影片講述吸血鬼伯爵發(fā)覺(jué)自己要吸處女之血才能生存下去，于是他和妹妹及管家三人來(lái)到意大利，并很快把目標(biāo)定在了一個(gè)富有的家族中，那家的四姐妹個(gè)個(gè)美麗動(dòng)人，尤其是老二和老三，他們兩人與家裡一個(gè)工人長(zhǎng)期保持著曖昧關(guān)系，但卻騙伯爵說(shuō)自己是處女，伯爵吸了她們的血之后，身體受到嚴(yán)重?fù)p害，他大發(fā)雷霆，并開(kāi)始對(duì)這個(gè)家族的每個(gè)人實(shí)施報(bào)復(fù)；一場(chǎng)激戰(zhàn)過(guò)后，家庭的成員所剩無(wú)幾，伯爵也把自己推向了滅亡....... ; 由《行尸走肉》原班人馬拍攝的另一部恐怖題材的電影，也是制作人安迪沃霍爾與導(dǎo)演保羅 莫里塞的另一部作品，風(fēng)格與《行尸走肉》一脈相承，詭異和恐怖的氣氛被表現(xiàn)得淋漓盡致，影片公映時(shí)由于血腥暴力和赤裸裸的性場(chǎng)景過(guò)多，因此這些場(chǎng)景大部分被剪掉了，標(biāo)準(zhǔn)版DVD則提供了完整的加長(zhǎng)版本。
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
弗蘭茨
伊丹·魏斯,彼得·庫(kù)爾特,耶諾夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亞倫·弗里斯,卡羅爾·舒勒,Gesa Shermuly,揚(yáng)·布達(dá)爾,約瑟夫·特洛伊,卡雷爾·多布雷,Daniel Dongres,René Hofschneider,米哈爾·伊斯特尼克,弗拉迪米爾·雅沃爾斯基,Václav Jirácek,Michal Kern,Stepán Klán阿格涅絲卡·霍蘭憑借這部迄今為止最具野心的作品達(dá)成了導(dǎo)演生涯的巔峰，她呈現(xiàn)了一部關(guān)于20世紀(jì)捷克標(biāo)志性作家弗朗茨·卡夫卡的傳記片。影片以萬(wàn)花筒般的拼貼手法構(gòu)建而成，追隨卡夫卡留下的足跡——從19世紀(jì)的布拉格出發(fā)，直至他在維也納辭世，時(shí)間跨度涵蓋第一次世界大戰(zhàn)及之后。《弗朗茨》一片將為觀眾提供一個(gè)獨(dú)特的視角，一窺這位文學(xué)巨匠背后的人生軌跡。
北地獵人
柯里·瑟威爾,羅絲安妮·休佩諾特,Michelle Thrush,朱利安·布萊克·安蒂洛普,納森尼爾·阿坎德,Roger LeBlanc,Kevin Davey,Jerome Paton,Paul Welch,Cameron Gerlitz,Stephane Legault,Jonathan Purvis,John Barry Graham,Tessa Hatheway,Emiko ShimozawaIn the year 2961, the time is after humanity and nature has recovered the land. A hunter named Cygnus is called to rise above his duty. He provides for Last Arc, a once nomadic band of survivors in need of food and water that is now growing scarce. The answer must be found before a group of outlandish Heretics descend upon them. Cygnus must voyage across the treacherous landscape to defend his people. Sent by Nova, the matriarch of the band, she acts based on her vision for Cygnus to find a seed of hope. The future of Last Arc is for him to discover, Cygnus ventures into a hostile landscape in search of an answer for his people. On this journey of encountering many traps and dangers, Cygnus discovers what has been hunting him is his identity.
小婦人2019
西爾莎·羅南,艾瑪·沃森,弗洛倫絲·皮尤,伊萊扎·斯坎倫,勞拉·鄧恩,提莫西·查拉梅,梅麗爾·斯特里普,鮑勃·奧登科克,詹姆斯·諾頓,路易·加瑞爾,克里斯·庫(kù)珀,崔西·萊茨,艾比·奎因,薩莎·弗羅洛娃,莉莉·恩格勒特,愛(ài)德華德·弗萊徹,杰妮·霍蒂謝爾,多梅尼克·阿爾迪諾,湯姆·斯特拉特福,托馬斯·馬里亞諾,哈德莉·羅賓遜,杰米·加扎里安馬奇夫人（勞拉·鄧恩 Laura Dern 飾）有著四個(gè)如花似玉的女兒，大女兒梅格（艾瑪·沃森 Emma Watson 飾）擁 有著美麗的外表，和對(duì)于愛(ài)情的天真憧憬。二女兒?jiǎn)蹋ㄎ鳡柹ち_南 Saoirse Ronan 飾）滿腦子塞著古靈精怪的念頭，整天拿著蘸水筆東寫(xiě)西寫(xiě)，她的故事在全家上下都受到了熱烈的歡迎。三女兒艾米（佛羅倫斯·珀 Florence Pugh 飾）渴望成為一名畫(huà)家。最小的女兒貝斯（伊萊扎·斯坎倫 Eliza Scanlen 飾）雖然個(gè)性比起三個(gè)姐姐要來(lái)的內(nèi)向的多，卻擁有杰出的音樂(lè)天賦。在馬奇夫人的教導(dǎo)之下，四個(gè)姑娘漸漸成長(zhǎng)為了擁有獨(dú)立人格的杰出女性，她們熱情、樂(lè)觀、善良，每個(gè)人都在各自的道路上堅(jiān)強(qiáng)而又堅(jiān)定的前進(jìn)著。
羞恥惡魔
西蒙·飛利普斯Jack escapes jail and head to New York city to track down an old flame who has disappeared under mysterious circumstances.
愉快動(dòng)物餅干電影版
松田元太,水上恒司,高石明里,藤森慎吾,蒼井翔太,小澤亞李,水瀨祈,東山奈央,立木文彥,間宮胡桃本片以1978年開(kāi)始發(fā)售就一直受到喜愛(ài)的點(diǎn)心“愉快動(dòng)物餅干”為基礎(chǔ)制作，講述了以獅子為首，大象、河馬、猴子、小兔、小貓、長(zhǎng)頸鹿、鱷魚(yú)、小雞，以及新角色天馬行空又哭又笑的故事，描寫(xiě)了只有“可愛(ài)”這一優(yōu)點(diǎn)的他們，為了拯救世界滅亡的危機(jī)而奮斗的模樣。