變身特派女

★ 0.5 播放：67萬 更新：2026-04-26

律政可人兒飛鳥是后光保險公司主/席的孫女，受爺爺所托變身成為特派員，調查有關政府福利組織的賄賂案件。疑犯山下課長涉及盜用公款5億日元，JC收到內部告密拘捕山下。不過，松島常務卻在事前在后光保險購買了盜竊保險，要求后光保險賠償被盜竊款項。為了調查真相，飛鳥決定從告密者麻美方面入手，發現案件的幕后黑手竟是政府高層，飛鳥如何挑戰最具權威勢力，智破陰謀? 　　

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劇情簡介

律政可人兒飛鳥是后光保險公司主/席的孫女，受爺爺所托變身成為特派員，調查有關政府福利組織的賄賂案件。疑犯山下課長涉及盜用公款5億日元，JC收到內部告密拘捕山下。不過，松島常務卻在事前在后光保險購買了盜竊保險，要求后光保險賠償被盜竊款項。為了調查真相，飛鳥決定從告密者麻美方面入手，發現案件的幕后黑手竟是政府高層，飛鳥如何挑戰最具權威勢力，智破陰謀? 　　

導演精選

正義聯盟：無限地球危機(上)

　　The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

異次元駭客

　　十三，一個聽起來就有些陰冷的數字。在一座大廈的第十三層，科學家道格拉斯?霍爾（克雷戈?比克飾）和漢農?富勒（阿明?繆勒－斯塔爾飾）用電腦模擬出一個逼真的1937年的洛杉磯，他們可以通過電腦進入這個虛擬世界，真實地體驗1937年的生活與自己。然而一個夜里，富勒被人殺死，種種線索都表明似乎是霍爾所為。可霍爾卻對當天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現，可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相，霍爾循著富勒留下的線索來到虛擬世界中，他離真相越來越近了……近到窒息……