我很正常
"My暫無內容Normal"暫無內容is暫無內容the暫無內容story暫無內容of暫無內容Natalie,暫無內容a暫無內容young暫無內容lesbian暫無內容from暫無內容the暫無內容Lower暫無內容East暫無內容Side,暫無內容who's暫無內容struggling暫無內容to暫無內容find暫無內容a暫無內容balance暫無內容between暫無內容her暫無內容dreams暫無內容of暫無內容becoming暫無內容a暫無內容film暫無內容maker暫無內容and暫無內容her暫無內容lifestyle暫無內容as暫無內容a暫無內容dominatrix.
即刻觀影
劇情賞析
編輯推薦
柏林綜合癥
泰莉莎·帕爾墨,馬克思·雷邁特,馬蒂亞斯·哈比希,艾瑪·巴丁,艾爾邁拉·拜赫爾米,克里斯托夫·弗蘭肯,露西·阿倫,納西姆·阿瓦特,馬琳·斯特芬,圖索·勒克維,拉拉·瑪麗·繆勒,瑪雅·阿布斯貝格澳大利亞攝影記者克萊爾（泰莉莎·帕爾墨 Teresa Palmer 飾）在柏林度假時邂逅了當地男子安迪（馬克思·雷邁特 Max Riemelt 飾），一見鐘情的兩人共度春宵，激情過后意想不到的危險來臨，克萊爾醒來時發現自己被安迪反鎖在家中，而安迪似乎并不打算讓她離開……
惡靈重喪
Joshua Suherman,Irsyadillah,Annette Edoarda5個寄養兄弟姐妹團聚回憶，突然經歷了一場災難。最小的妹妹無法得救。事故發生后，四個兄弟姐妹被最小的妹妹嚇壞了。靈媒說，小妹妹不冷靜，她有話要說。四個兄弟姐妹發現了，這是什么？
人證1977
岡田茉莉子,松田優作,鼻肇,喬山中,巖城滉一,三船敏郎,鶴田浩二,竹下景子,伴淳三郎,高澤順子,范文雀,夏八木勛,長門裕之,珍妮八田,坂口良子,大瀧秀治,佐藤蛾次郎,北林谷榮,西川峰子,鈴木瑞穗,峰岸徹,地井武男,和田浩治,深作欣二死于東京皇家飯店電梯里的美國黑人青年被人發現后，警方展開調查，從死者遺物中，知曉其名叫焦尼，并推斷其來日目的是為找尋生母。根據種種線索，警方來到某溫泉，發現知情人已被殺害，但還是知曉了知名服裝設計師八杉恭子（岡田茉莉子）當年曾與一美國黑人士兵在此同居之事，遂派警官棟居（松田優作）前去美國向紐約警察肖夫坦（喬治?肯尼迪）求證。 求證過程中，棟居陷入歷史記憶與民族情結中，幾欲將眼前的美國人尤其肖夫坦與當年在日本犯下罪行的劊子手混為一談，但終回復理智完成了任務，將八杉恭子圈定為兇手，而八杉恭子不過也是歷史的受害者。
走心男
權相佑,文彩元影片翻拍自阿根廷電影《膝下無子》，講述了高中時期遇見初戀的男人無意間將家庭史變成秘密而展開的一系列風波浪漫喜劇故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
獵局反轉
弗蘭克·格里羅,歐嘉·柯瑞蘭寇,奧利弗·特雷韋納,蘭達,Vladislav Lapidus,Lacy McClory,Emilija Matic這張照片講述了一對絕望的夫婦，他們為了償還暴徒的債務，進行了一系列高端入室盜竊。當他們試圖搶劫最近的受害者時，他們發現自己陷入了一場致命的貓捉老鼠游戲，桌子被翻轉，獵人成為獵物。