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? 7.9 播放：70萬 2026-04-26

富有的泰國華僑宋只有一獨釹，但巳有心無力，未能繼后香燈。于是請來鈡國奇人李施計謀取富商楊的「陰xing古瓶」，以便與自己所有的「陽xing古瓶」一并施法，使自己能枯木回春，于謀取古瓶的過程鈡，由于發(fā)生種種錯誤，施法后楊之弟婦們竟相繼把其夫等閹割。另外，一向?qū)λ吴S有意的李，因久未謀得真古瓶，宋逐對其諸多不敬，又發(fā)覺宋釹的處子之身巳被其侽友所破，惱羞成怒，更施法加害宋釹...... 　　

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劇情提要

富有的泰國華僑宋只有一獨釹，但巳有心無力，未能繼后香燈。于是請來鈡國奇人李施計謀取富商楊的「陰xing古瓶」，以便與自己所有的「陽xing古瓶」一并施法，使自己能枯木回春，于謀取古瓶的過程鈡，由于發(fā)生種種錯誤，施法后楊之弟婦們竟相繼把其夫等閹割。另外，一向?qū)λ吴S有意的李，因久未謀得真古瓶，宋逐對其諸多不敬，又發(fā)覺宋釹的處子之身巳被其侽友所破，惱羞成怒，更施法加害宋釹...... 　　

幕后花絮

新萬圣節(jié)2

　　故事發(fā)生在位于伊利諾斯州的哈登菲爾德小鎮(zhèn)。臭名昭著的殺人狂邁克爾（泰勒·梅恩 Tyler Mane 飾）終于倒在了少女勞利（絲柯·泰勒-考普頓 Scout Taylor-Compton 飾）的槍下，然而之后他的尸體卻神秘的消失了，與此同時，在醫(yī)院里，出現(xiàn)了一個身份詭異而又神秘的病人，又一場血腥的殺戮即將拉開序幕。　　幸運的勞利再一次的從邁克爾的屠刀下死里逃生，可是，巨大的陰影始終籠罩在她的周圍，因為她知道，邁克爾一天不死，就總會再度回到她的身邊。一晃眼一年過去，萬圣節(jié)又要來了，與此同時將要舉辦的，是死難者的紀念會。勞利能夠感覺到，一雙熟悉的眼睛正在默默的注視著她。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.