影片推薦
分秒間離
奧蘭多·瓊斯,Edmund Entin,Gary Entin最佳拍檔2：大顯神通
許冠杰,麥嘉,張艾嘉,倉(cāng)田保昭,徐克,葉夏利,曹達(dá)華,黃百鳴,汪庭歡,祖迪文,域陀布烈,李家鼎,施明,韓國(guó)材,關(guān)淑怡平原上的迷途
菲利波·斯科蒂,塞爾吉奧·羅馬諾,皮耶爾保羅·卡波維拉,羅伯托·西特蘭,安德里亞·彭納基,Simone Bergamasco,Francesco Busolin,Diego De Francesco,丹尼斯·法索洛,Nicola Rossato,Giuseppe Messina過(guò)家家2026
成龍,彭昱暢,張佳寧,潘斌龍,李萍,牛犇,劉敏濤,馮兵,李宗恒,芮丹尼,黃才倫,老四,黃炎,韓棟,張國(guó)慶,劉頔,劉洋,陳昊明,那家威,楊帆,永辰,李洪權(quán),胡笑源,傅曉娜,韓沐霏,李太言,朱秈秈殺人漫畫(huà)
嚴(yán)基俊,李施吟,金顯祐,吳光祿黑暗崛起
卡特麗娜·洛,拜斯·約翰遜,希瑟·馬祖爾,邁克·沃特福德,Christian Ganiere同類精選
無(wú)限：未知對(duì)象
托莉·巴特勒-哈特,伊恩·麥克萊恩,康勒斯·希爾,格雷厄姆·巴特勒,Ben Lee,Holly Dale Spencer,Chris Hart,Wendy Muir Hart尼可曼斯
莫妮卡·貝魯奇,本·奧圖爾,泰絲·哈烏布里奇,卡羅琳·福特,大衛(wèi)·文翰,戈蘭·D·克魯特,費(fèi)利克斯·威廉森,Berynn Schwerdt,Jay Gallagher,Connor Van Vuuren,Charmaine Bingwa,Epine Bob Savea新凱旋門
克拉斯·邦,西瑟·巴比特·科努德森,澤維爾·多蘭,斯萬(wàn)·阿勞德,米歇爾·富,米沙·萊斯科特,讓·迪·弗埃,伊拉莉亞·卡布拉斯,亞歷山德羅·布雷薩內(nèi)羅,塞德里克·阿皮耶托,維比約克·莫林·阿格爾,弗朗索瓦·雷森,奧利弗·馬奎特,帕特里克·索貝爾曼,阿克爾·博薩,Jiang Hong Chen,紀(jì)堯姆·福雷斯蒂,塞西爾·杜克羅克,奧利維爾·加利安諾,本雅明·克萊里牙仙
道恩·強(qiáng)森,艾什莉·賈德,斯戴芬·莫昌特,瑞恩·謝克勒,塞思·麥克法蘭,朱莉·安德魯斯,切斯·埃利森,黛斯特妮·惠特洛克,布蘭登·T·杰克遜,Dan Joffre,埃莉·哈維,巴克萊·霍普,邁克爾·登杰菲爾德,Dale Wolfe,Josh Emerson忘我星途
Vino G. Bastian,迪婭·潘德拉,Agus Kuncoro再一英里
瑞安·菲利普,艾米麗·霍菲爾,莎拉·坎寧,Sage Linder,貝薇莉·埃利奧特,菲爾·伯克,加布里埃爾·哈辛托,C·托馬斯·豪威爾,喬納森·懷特賽爾,裘德·威爾遜,加菲爾德·威爾遜,Keana Velsen,西蒙·錢,威廉·威爾德,Loreen Regnander,Parveen Dosanjh,Elliot Drew,安德魯·科蘭特斯,Tommy Europe,Karina Frislev影視排行
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
妖狐傳
馬倩倩,張競(jìng)達(dá),王昭,朱利安周興商滅時(shí)期，神都戰(zhàn)神拓跋羽帶回一個(gè)九霄靈狐，關(guān)押在府內(nèi)。此后神都屢屢出現(xiàn)懸案，懸案中的死者均是神都極美的女子，神都城內(nèi)人心惶惶。 為了平息此事，戰(zhàn)神懸賞千兩查找與案子相關(guān)的線索，降魔師主動(dòng)請(qǐng)纓。降魔師的出現(xiàn)讓真相逐漸浮出水面，大家在降魔師的引導(dǎo)下將目光放在了戰(zhàn)神帶回的女子小九身上，并大膽質(zhì)疑小九是妖，全神都為之震動(dòng)。戰(zhàn)神帶回的女子雖是九霄靈狐，但因其所吸人靈不足只算得上半妖。神都女子之死表面都出自她手而實(shí)際上都與她無(wú)關(guān)。 真兇其實(shí)是戰(zhàn)神拓跋羽，九霄靈狐則是他最后一個(gè)獵殺對(duì)象，他殺四十九名美艷女子是為了集齊四十九個(gè)美艷女子的陰?kù)`，然后與九霄靈狐的妖靈一同煉化使自己早日修成大成，不料最后被降魔師識(shí)破，戰(zhàn)神無(wú)法繼續(xù)隱藏，只能兔死狗烹與降魔師進(jìn)行對(duì)抗，降魔師不敵敗下陣來(lái)，眼看戰(zhàn)神即將修成大成，降魔師攜手九霄靈狐將拓跋羽治服。降魔師為使一方安寧，收走九霄靈狐一縷靈魄讓別有用心之人無(wú)法借由九霄靈狐修害人之法術(shù)。
動(dòng)物僵尸2
Jonathon Buckley,Jarrid MasseA game ranger arresting poachers ends up saving their lives when zombie animals attack them in the jungle. Now surrounded, the game ranger and poachers forge uneasy alliance to stop the beasts before the super-zombie virus spreads to entire world.
民國(guó)驚魂錄
郝普,陳凱欣,曹璐民國(guó)年間，上海灘閘北區(qū)保德路發(fā)生一樁命案，死者后來(lái)經(jīng)過(guò)確認(rèn)，竟然是馬源商會(huì)老板馬廣則。 多年來(lái)，馬源商會(huì)在閘北一直都頗具影響力，馬廣則更是最被看好的商界風(fēng)云人物，他的死打破了閘北區(qū)原本的寧?kù)o。