男與女（鐘楚紅版）

? 4.4 播放：74萬 2026-04-24

孟思晨（鐘楚紅飾）自廣東農村偷渡至香港，匿居于山間木屋區，與同為偷渡客的一群打工仔同居一室，迫于生計，淪為眾男泄欲工具。泰國華僑江遠生（萬梓良飾）客居香港，流落街頭靠打黑拳謀生。一次江遠生與黑道人士發生沖突，躲避之際偶遇孟思晨。孟思晨助江遠生藏匿，二人結下露水之緣。后思晨經人介紹認識獨守空房的老木匠（關海山飾），答應為求子心切的他生子，條件則是與其同住并獲取港人身份證。生活安定后，思晨又遇遠生，二人互生愛意，偷偷幽會。遠生的一身武藝被黑道老板（曹查理飾）看中，力捧其成為職業拳手，并許諾總決賽勝利后送其去美國栽培。不料總決賽之際，老板命其打假拳，并強迫其服用興奮劑。而與此同時思晨看到;懷孕婦女不能赦免遣返離港暫無內容rdquo;的新聞，萬念俱灰。到底這對苦命鴛鴦能否看到人生曙光？暫無內容nbsp;暫無內容　　香港新浪潮導演蔡繼光1983年的著名劇情片。以深度寫實的手法表現回歸前香港的焦慮不安，人性化的敘述手法感人至深，獲得1983年金馬獎最佳原著劇本獎。是港片迷不可錯過的經典。

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? 播放 男與女（鐘楚紅版）

劇情提要

孟思晨（鐘楚紅飾）自廣東農村偷渡至香港，匿居于山間木屋區，與同為偷渡客的一群打工仔同居一室，迫于生計，淪為眾男泄欲工具。泰國華僑江遠生（萬梓良飾）客居香港，流落街頭靠打黑拳謀生。一次江遠生與黑道人士發生沖突，躲避之際偶遇孟思晨。孟思晨助江遠生藏匿，二人結下露水之緣。后思晨經人介紹認識獨守空房的老木匠（關海山飾），答應為求子心切的他生子，條件則是與其同住并獲取港人身份證。生活安定后，思晨又遇遠生，二人互生愛意，偷偷幽會。遠生的一身武藝被黑道老板（曹查理飾）看中，力捧其成為職業拳手，并許諾總決賽勝利后送其去美國栽培。不料總決賽之際，老板命其打假拳，并強迫其服用興奮劑。而與此同時思晨看到;懷孕婦女不能赦免遣返離港暫無內容rdquo;的新聞，萬念俱灰。到底這對苦命鴛鴦能否看到人生曙光？暫無內容nbsp;暫無內容　　香港新浪潮導演蔡繼光1983年的著名劇情片。以深度寫實的手法表現回歸前香港的焦慮不安，人性化的敘述手法感人至深，獲得1983年金馬獎最佳原著劇本獎。是港片迷不可錯過的經典。

幕后花絮

別走

　　梅利莎·喬治、斯蒂芬·多爾夫主演的[別走](Don't Go，暫譯)柏林電影節曝光首款劇照。該片故事講述本(斯蒂芬·多爾夫飾)的女兒在事故中去世，而他相信自己可以在夢里將女兒帶回來。本從此陷入現實和虛幻交錯的空間。該片愛爾蘭將于9月4日上映。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.