劇情縱覽
某個冬日,同上一所美術學校的磯貝米路美、堂本忍成修吾飾和小遠蒼井優飾駕車行駛在臨近拂曉的shan路上。突然前方躥出一條人影,急剎車之后,祂們見到了手里提著鞋的赤足釹子佰合永作博美飾。由于已經過了電車的營運時間,佰合只好徒步翻shan,可是又因為鞋磨足而無法繼續步行。三人將她送到了巴士車站,臨別之際,米路美把自己的夾角拖鞋送給了她。
某個冬日,同上一所美術學校的磯貝米路美、堂本忍成修吾飾和小遠蒼井優飾駕車行駛在臨近拂曉的shan路上。突然前方躥出一條人影,急剎車之后,祂們見到了手里提著鞋的赤足釹子佰合永作博美飾。由于已經過了電車的營運時間,佰合只好徒步翻shan,可是又因為鞋磨足而無法繼續步行。三人將她送到了巴士車站,臨別之際,米路美把自己的夾角拖鞋送給了她。
肖首英是一位放浪不羈的拳擊手,因為參加拳擊比賽,而失去了患病的妻子,從此一蹶不振,他答應妻子以后退出拳臺,絕不會讓兒子肖凱去打拳。肖凱從小就有打拳的天賦,但肖首英一直在阻攔,肖凱偷偷的報名參加了拳擊比賽,最后贏得了冠軍,從此打開了父親的心結
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
第一集中,少女克莉斯蒂(Ashley Laurence 飾)的家庭遭受魔鬼賽諾貝斯的摧殘,親人相繼死亡,她本人也被送入精神病院治療。除了醫生助手凱爾(William Hope 飾)外,沒人相信克莉斯蒂的離奇故事。當瘋狂的醫生菲利普?切諾德(Kenneth Cranham 飾)從助手口中得知少女的經歷后,他決定將惡魔重新帶回人間。業已死亡的繼母朱莉(Clare Higgins 飾),在這個變態狂人的喂養下再次復活……
風間重吉は花田秀次郎との果たし合いで左腕を失った。出所した秀次郎は林田一家の世話になる。樺島一家は採石の入札をめぐって林田と老舗“淺野屋“を圧迫していた。樺島の客人となった風間は、秀次郎に果たし狀を渡すが、女房が兇弾に倒れ、秀次郎とともに死地に向かう。