劇情簡介
杰伊（MarkRylance飾），倫敦一名失意的音樂家，生活拮據，前途黯淡，每天只能靠在酒吧當侍者維持生活。對他來說，最令人期待和激動的便是每個周三的下午。這一天，總有一名陌生女子（KerryFox飾）來到杰伊的公寓，兩人不發一言，只沉浸在原始的x愛之中，完事后女子決然離開。然而杰伊漸漸不滿足于這短暫的相會，他開始偷偷跟蹤這個女子，了解她的生活，而兩人的關系也隨之發生了變化本片榮獲2001年柏林電影節金熊獎、藍天使獎、最佳女主角銀熊獎。
為你推薦
瘋狂天才
史賓塞·洛克,泰米娜·森尼,法蘭·塔希爾,斯科特·麥克洛維茨,麗維·陳,克里斯·梅森,格本加·阿金納格貝,brandon scott,klement tinaj,derek s. orr,nicole fahelA young mad genius attempts to 'hack the human mind' in order to fix humanity.
幸存者2015
馬丁·麥凱恩,米婭·高斯,安德魯·辛普森,巴里·沃德,歐文·弗熱瑞,道格拉斯·羅素,凱瑞爾·肯尼迪,瑞安·麥克法蘭,邁克爾·奧·萊恩,夏蘭·弗林故事講述一個男人在森林深處一個小農場里，保護他的土地和作物，但長期的孤獨造成了他失去控制...
你行！你上！
姜文,馬麗,張乘郝,王碩瓏,陸一,于和偉,余皚磊,何賽飛,辛芷蕾,雷佳音,葛優,王傳君,胡歌,甄子丹,丁志誠,李屏賓,李子為,曹操,吉娜·愛麗絲這是一對父子的傳奇歷險，也是兩個野心家的一拍即合。從沈陽到美國，從3歲到17歲，彈琴勝似取經，八十八鍵多過八十一難，父子心無雜念，只管埋頭向前，兩人赤手空拳讓美國殿堂藝術精英們刮目相看。
約束的罪行
塞西莉亞·羅特,米格爾·安吉爾·索拉,本杰明·阿瑪迪奧,索菲亞·哥拉,亞尼娜·阿維拉,迭戈·克雷莫內西,保羅·巴林托斯,馬塞洛·索比奧托,瑪麗婭·瑪努爾,馬塞洛·丹德烈亞,克拉拉·科瓦西奇絕望的母親艾麗西亞竭盡所能阻止其子丹尼爾因謀殺前妻未遂而被判入獄。在這一過程中，艾麗西亞將發現一樁陰謀，這將徹底改變她的生活，并將其變成一個真正的噩夢。
月球叛軍2：烙印之人
索菲亞·波多拉,查理·漢納姆,加利·艾爾維斯,安東尼·霍普金斯,杰曼·翰蘇,裴斗娜,吉娜·馬隆,寇瑞·斯托爾,艾德·斯克林,米希爾·赫伊斯曼,斯圖爾特·馬丁,阿方索·埃雷拉,雷·費舍爾,弗拉·菲,克利歐佩特拉·科爾曼,斯塔茲·奈爾,里安·里斯,湯姆·沃斯延續第一部的史詩故事，柯拉（索菲亞·波多拉 Sofia Boutella 飾）與幸存的戰士準備好豁出一切，與勇敢的碧草星居民并肩作戰，即使村落不復往日和平，仍是對抗母星失敗的人們尋得的新家園，這一切，就靠他們來守護。最終大戰前夕，這群戰士必須面對各自的過往，也揭露他們究竟為何而戰。當叛軍勢力星火燎原，王國大軍傾巢而出準備平息動亂，戰友情誼益發堅定，英雄嶄露頭角，不朽傳奇也于焉誕生。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
承諾2017
楠迪·宗拉維蒙,安比查雅·松可寒,圖恩雅芳·帕塔拉媞拉猜差容,帕尼莎拉·里庫蘇拉康,Duentem Salitul,本杰明·約瑟夫·瓦尼,素查達·彭帕塔娜蘇,Surachai Ningsanond,Teerapop Songwaja,Duangjai Hiransri1997年，亞洲金融危機如同暴風雨一般席卷各國，公司倒閉已成尋常，老板富賈逃亡自殺，普通民眾的生活愈加困苦。富家女孩布姆（Thunyaphat Pattarateerachaicharoen 飾）父親所蓋的大樓最終爛尾，遭到父親家暴后，萬念俱灰的布姆和伊布（Panisara Rikulsurakan 飾）相約自殺。陰差陽錯，貝爾去往另一個世界，布姆則茍活人間。 時光流轉，20年后的布姆（楠迪·宗拉維蒙 Namthip Jongrachatawiboon 飾）已成為小有名氣的房地產企業家。某天，她帶著女兒貝爾（安比查雅?松可寒 Apichaya Thongkham 飾）再次來到當年和朋友自殺的爛尾樓。頑皮的貝爾四處游蕩，撿到了母親當初和伊布溝通的BP機。殊不知，一個孤獨的靈魂已在此等候多年，只為了踐行未完的承諾……