劇情縱覽
德國導演于1974年拍攝了第一部古靈精怪東南亞,由于內容諸多血腥、真實、成人內容不得不地下發行,現暫無內容在市面上基本找不到該片的詳細介紹&圖片,1985年拍攝了第二部,1995年拍攝了第三部,2003年拍攝了第四部
德國導演于1974年拍攝了第一部古靈精怪東南亞,由于內容諸多血腥、真實、成人內容不得不地下發行,現暫無內容在市面上基本找不到該片的詳細介紹&圖片,1985年拍攝了第二部,1995年拍攝了第三部,2003年拍攝了第四部
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
這個假期將會是最棒的。漫威電影公司特別預告:《銀河護衛隊》假日特輯,將于11月25日在迪士尼+上播放。
從社交媒體差評到治療師的真相炸彈, 特雷弗·諾亞在這場搞笑、犀利又輕快的單口喜劇演出中將混亂變為喜劇。
當10個年輕人去探索一家廢棄的比薩店時,他們很快就知道,他們將不得不為自己的生命而戰,同時試圖揭開比薩店令人不安的歷史。