我是歐嘉

★ 4.0 播放：09萬(wàn) 更新：2026-04-23

1973年，七月十日的布拉格，剛滿22歲的歐嘉開(kāi)著一輛失速的卡車衝上人行道，造成八人死亡。歐嘉對(duì)警察說(shuō)，她是故意的！

在線播放

劇情簡(jiǎn)介

1973年，七月十日的布拉格，剛滿22歲的歐嘉開(kāi)著一輛失速的卡車衝上人行道，造成八人死亡。歐嘉對(duì)警察說(shuō)，她是故意的！

導(dǎo)演精選

葬送

　　A grieving mother hires an enigmatic stranger to perform a ritual to resurrect her late husband. When the ceremony goes out of control, mother and daughter must overcome their differences and fight for survival.

春天不是讀書(shū)天

　　芝加哥又迎來(lái)了晴朗的一天，逃學(xué)高手菲利斯（馬修?布羅德里克 Matthew Broderick 飾）自然不會(huì)在這天選擇枯燥的測(cè)驗(yàn)，他偽裝病重騙過(guò)父母，令同校的姐姐珍妮徒勞嫉妒。菲利斯找來(lái)好友凱倫（阿蘭?盧克 Alan Ruck 飾），兩人聯(lián)手騙過(guò)訓(xùn)導(dǎo)主任羅寧，駕駛凱倫父親珍藏的法拉利將菲利斯女友思朗接出學(xué)校兜風(fēng)，菲利斯嫻熟的電話騙術(shù)在凱倫和思朗的配合下將眾人戲弄的團(tuán)團(tuán)亂轉(zhuǎn)，學(xué)生們反而受他的影響頗深，在校內(nèi)發(fā)起給菲利斯謊稱的手術(shù)捐款。羅寧不堪忍受菲利斯一次次得欺騙，“微服私訪”去校外希望能將菲利斯捉個(gè)正形，而在城中四處游蕩的菲利斯三人則展開(kāi)了一場(chǎng)隱藏自己身份的冒險(xiǎn)……

公寓2024

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.