劇情簡(jiǎn)介
相佑跟姐夫住在一起，他在辦公室里喜歡上了一個(gè)女同事，但他不敢表白，因?yàn)樗坪跤心杏眩钡接幸惶欤鹊搅藱C(jī)會(huì)...
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火拼
方中信,呂良偉,安志杰,張繼聰,陳家樂(lè),錢(qián)嘉樂(lè),陳國(guó)邦,張文杰,馬思惠,沈震軒香港核心商業(yè)地帶油尖旺地區(qū)近日突發(fā)連環(huán)搶劫大案，區(qū)域內(nèi)多家珠寶店遭遇悍匪團(tuán)伙的洗劫！奉命執(zhí)行任務(wù)的沖鋒隊(duì)Car 3在組長(zhǎng)鄭志斌（方中信 飾）的帶領(lǐng)下一路追擊，但查探到的線索卻令鄭志斌心頭一緊。原來(lái)，悍匪頭目阮卓龍（張繼聰 飾）、阮卓武（安志杰 飾）是多年前另一樁持槍搶劫案的在逃要犯。如今兩兄弟卷土重來(lái)，犯案同時(shí)還不斷向警方挑釁，令整個(gè)警隊(duì)焦灼且困惑。此外，阮氏兄弟的步步緊逼亦令Car 3隊(duì)員張家和（陳家樂(lè) 飾）難以自制，鄭志斌看在眼里卻也有心無(wú)力…..宿命般的四人在不斷交鋒中，揭開(kāi)了背后塵封已久的秘密……
銀河護(hù)衛(wèi)隊(duì)：圣誕特別篇
克里斯·帕拉特,龐·克萊門(mén)捷夫,戴夫·巴蒂斯塔,凱文·貝肯,邁克爾·魯克,布萊德利·庫(kù)珀,范·迪塞爾,凱倫·吉蘭,肖恩·古恩,瑪麗亞·巴卡洛娃,Old 97's,盧克·克萊因,凱拉·塞吉維克,大衛(wèi)·莫斯科維茨,史蒂芬·布萊克哈特這個(gè)假期將會(huì)是最棒的。漫威電影公司特別預(yù)告:《銀河護(hù)衛(wèi)隊(duì)》假日特輯，將于11月25日在迪士尼+上播放。
小鬼神偷
克里斯汀·斯圖爾特,科賓·布魯,麥克斯·泰瑞奧,詹妮弗·比爾斯,山姆·洛巴茲麥蒂（克里斯汀·斯圖爾特 Kristen Stewart 飾）是一個(gè)12歲的小女孩，她一生中最大的愛(ài)好就是和熱愛(ài)極限運(yùn)動(dòng)的父親一起外出攀巖，在這方面，小小年紀(jì)的麥蒂已經(jīng)是專(zhuān)家級(jí)的選手了。一次意外中，麥蒂的父親從巖壁上跌落，身受重傷，無(wú)法動(dòng)彈的父親和巨額的醫(yī)療費(fèi)讓這個(gè)家庭的幸福時(shí)光畫(huà)上了句點(diǎn)。 眼看著家庭就要崩潰，古靈精怪的麥蒂想出了一個(gè)“快速斂財(cái)”的妙招——搶銀行。麥蒂找來(lái)了好友古斯（馬克斯·希爾萊耶 Max Thieriot 飾）和奧斯汀（科賓·布魯 Corbin Bleu 飾）幫忙，他們一個(gè)是電腦高手，一個(gè)是機(jī)械專(zhuān)家，兩位好友的幫助加上自身高超的攀爬技巧，麥蒂的“犯罪計(jì)劃”能否獲得成功呢？
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
手遮天
劉峰超,袁福福,淳于珊珊底層捕快薛不疑（劉峰超 飾）因不諳世故遭同僚排擠，憋屈十年。一樁賑災(zāi)銀盜竊案他淪為替罪羊。絕境中，他受老師黃士寧（淳于珊珊 飾）搭救，與師弟李震（袁福福 飾）再度合作，然而錢(qián)外有錢(qián)官外有官，他被迫成為高官手中的“犬牙”……在這黑暗世道，他是會(huì)選擇做一只聽(tīng)話(huà)的鷹犬，還是掙脫這巨 手成為啄天之鷹？
啄木鳥(niǎo)和雨
役所廣司,小栗旬,高良健吾,臼田麻美,伊武雅刀,山崎努寧?kù)o的山村進(jìn)入雨季。村中的老伐木工人岸克彥（役所廣司 飾）為人古板，與兒子關(guān)系緊張。他在上工途中給東京來(lái)的新人導(dǎo)演田邊幸一（小栗旬 飾）和副導(dǎo)演帶路，由此被拉入一部喪尸電影的外景拍攝。在被迫充當(dāng)臨時(shí)演員后，克彥竟對(duì)電影產(chǎn)生了微妙的興趣，他開(kāi)始不請(qǐng)自來(lái)的幫助攝制組與村民溝通，開(kāi)展工作，甚至忽略了本職與妻子的忌日。 突然闖入的攝制組擾亂了山村的平靜和克彥的生活，也改變了導(dǎo)演幸一自身。幸一生性靦腆缺乏自信，在攝制組中毫無(wú)威信。偶然間他發(fā)現(xiàn)自己的喪尸劇本竟為克彥所欣賞，不禁大受鼓舞，兩人在數(shù)次的泡澡時(shí)間里進(jìn)行了奇妙的溝通。在克彥的幫助下，幸一慢慢樹(shù)立了自信，電影拍攝也步入正軌。然而臨關(guān)機(jī)前的一場(chǎng)瓢潑大雨再次令拍攝陷入危機(jī)，克彥的缺席也令幸一惶恐無(wú)措起來(lái)…… 影片獲第24屆東京國(guó)際電影節(jié)評(píng)委會(huì)大獎(jiǎng)。片中兩位主演役所廣司和小栗旬在現(xiàn)實(shí)中亦均擔(dān)任過(guò)導(dǎo)演。
化身博士
弗雷德里克·馬奇,米利亞姆·霍普金斯,羅絲·霍巴德,福爾摩斯·赫伯特基克爾（弗雷德里克·馬奇 Fredric March 飾）是一名知識(shí)非常淵博的科學(xué)家，他將畢生的經(jīng)歷都投注到了探索人性的善惡奧妙之中，并且最終制造出了一種可怕的藥劑，這種藥劑能夠令基克爾化身成為海德先生，基克爾將自己所有的惡意和壞念頭都投射到了海德的大腦里。白天，基克爾行醫(yī)救人樂(lè)善好施，待到夜幕降臨，海德先生便會(huì)現(xiàn)身，殺人害命，無(wú)惡不作。基克爾有一位名叫伊芙（米利亞姆·霍普金斯 Miriam Hopkins 飾）的未婚妻，兩人之間的感情非常的要好，然而，海德先生的存在讓基克爾不自覺(jué)的被名叫碧翠絲（Eric Wilton 飾）的放蕩妓女所吸引。分裂的人格讓基克爾感到萬(wàn)分的痛苦，他想要消滅海德先生。