八犬傳 八犬伝 (2024)
本片改編自以山田風(fēng)太郎的同名小說(shuō)，由講述為了解開(kāi)里見(jiàn)家施加的詛咒而被命運(yùn)吸引的8名年輕劍士們的戰(zhàn)斗的《虛》，以及描寫用28年時(shí)間寫了180話的故事的作家瀧澤馬琴的真實(shí)故事的《實(shí)》兩部分組成。役所廣司飾演主人公馬琴，內(nèi)野圣陽(yáng)飾演他的好友畫(huà)家葛飾北齋。磯村勇斗馬琴的兒子宗伯，黑木華宗伯的妻子·路，馬寺島忍飾演馬琴的妻子·百，在《虛》部分掌握八犬士命運(yùn)的伏姬由土屋出演。
即刻觀影
劇情賞析
編輯推薦
外星人爆發(fā)
Ritchie Crane,Katherine Drake,Philip Alexander Baker,Ian Rowe,克里斯·巴尼科特,Tom Menary,Gemma Wilks,吉米·本內(nèi)特In a small rural community local police officers Zoe and Patrick begin their shift as normal but it soon becomes clear that something is wrong. Strange events unfold before their eyes, residents begin behaving strangely and mass suicide panic spreads amongst the community they are trying to protect. Zoe and Patrick realise they are under siege from alien machines as they become cut off from the outside world. They are forced to do battle against these uninvited visitors. With the help of some of the residents Zoe and Patrick begin unravelling the mystery and soon discover it is not all as it seems. Can Zoe and Patrick save their community and the outside world from extinction? 在一個(gè)小的農(nóng)村社區(qū)，當(dāng)?shù)鼐熳粢梁团撂乩锟碎_(kāi)始正常換班，但很快就清楚出了問(wèn)題。奇怪的事情展現(xiàn)在他們眼前，居民開(kāi)始奇怪的行為，大規(guī)模的自殺恐慌在他們?cè)噲D保護(hù)的社區(qū)中蔓延。佐伊和帕特里克意識(shí)到，當(dāng)他們與外界隔絕時(shí)，他們正受到外來(lái)機(jī)器的圍攻。他們被迫與這些不速之客作戰(zhàn)。在一些居民的幫助下，佐伊和帕特里克開(kāi)始解開(kāi)這個(gè)謎團(tuán)，很快發(fā)現(xiàn)它并不像看上去的那樣。佐伊和帕特里克能拯救他們的社區(qū)和外部世界免于滅絕嗎？
冒牌大賊
黃日華,林憶蓮,左頌升死黨阿華，師爺仔及飛牛三人分別任職于會(huì)計(jì)，律師樓及警員。他們均喜歡包租婆的女兒蒙珠。一日，阿華知道會(huì)有巨額運(yùn)抵公司及發(fā)現(xiàn)有賊人已鋪好路線偷款。于是將計(jì)就計(jì)，他們預(yù)先偷走巨款，然后嫁禍給劫匪。雖然錢得手，但全是廢紙，而煩惱才剛剛開(kāi)始……
幽閉空間
杰森·帕特里克,路易莎·克勞瑟,馬克·馬戈利斯THE CONFINES is a claustrophobic thriller that follows a troubled young woman who, in a last-ditch effort at getting her life together, takes a job working nights as a security guard at an abandoned luxury apartment building. Stuck with a brusque rent-a-cop as her partner, she tries to not let her mind play tricks on her while she patrols the empty halls. But as the night progresses strange things begin to happen - and she realizes it may not all be in her head.
大明嬪妃之離間
宋洋,朱一龍,何杜娟,關(guān)慧卿姚芊芊腹中的孩子即將足月，為了讓大家相信孩子是太子的，鄭貴妃命她帶蘭心去郊外寺廟進(jìn)香，自己則安排手下裝作歹徒襲擊二人，讓姚芊芊有理由“受驚早產(chǎn)”，并想伺機(jī)除掉蘭心。誰(shuí)知，姚芊芊真的受驚動(dòng)了胎氣，幸有蘭心全力相助，這才九死一生，在途中產(chǎn)下一子。從此，姚芊芊視蘭心為生死之交，王恭妃見(jiàn)狀，卻誤以為蘭心被鄭貴妃收買。王恭妃明白梅兒和蘭心情同手足，為防止梅兒隨蘭心一同倒戈，她開(kāi)始用各種方式離間兩人的關(guān)系 。 梅兒原是上官大人與歌女李月棠之女，實(shí)為蘭心之妹。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
開(kāi)棺2025
陳可如,光俊一對(duì)夫妻在他們的土地里挖掘出一座古墓后，圍繞著一條被詛咒的項(xiàng)鏈和一個(gè)充滿復(fù)仇之心的鬼魂，發(fā)生了一連串恐怖事件……