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劇情簡介
一場突如其來的地震波及整個灌城化工園區,管道泄漏觸發爆炸不斷。濃煙滾滾、火光沖天,災難迅速升級,如果任其蔓延,整座城市將被夷為平地……面對要救火又要救人的嚴峻考驗,消防救援站一眾隊員第一時間奔赴重災區,危難時刻爭分奪秒,用生命守護生命。
同類好片
神奇柑仔店真人版
天海祐希,大橋和也,伊原六花,上白石萌音,平澤宏宏路,伊禮姬奈,白山乃愛,番家天嵩,今濱夕輝乃,山本未來,渡邊圭祐,田中里衣,大河原次郎通往絞刑架的電梯
讓娜·莫羅,莫里斯·羅內,喬吉斯·伯喬利,約里·貝爾坦,讓·瓦爾,埃爾加·安德森,西爾維亞娜·艾森施泰因,米舍利娜·博納,吉賽勒·格蘭普雷,Jacqueline Staup,馬塞爾·屈弗利耶,熱拉爾·達里厄,查爾斯·登納,于貝爾·德尚,雅克·黑林,馬塞爾·喬內,弗朗索瓦·茹,伊萬·彼得羅維奇,費利克斯·馬滕,利諾·文圖拉,讓-克洛德·布里亞利尤哈
薩卡里·庫斯曼嫩,卡蒂·奧廷寧,安德烈·維爾姆斯,馬庫·佩爾托拉導火線2025
亞倫·泰勒-約翰遜,西奧·詹姆斯,薩姆·沃辛頓,古古·姆巴塔-勞,盧克·梅伯利,豪爾赫·萊昂·馬丁內斯,莎芙蓉·霍金,奧諾·斯溫頓·伯恩,阿歷克斯·阿諾,納比勒·埃盧比,勞里·鄧肯,帕特里克·皮爾森,埃勒姆·埃哈斯,亞倫·龍,George Pavlidis,Karen Seacombe,納維德·汗,伊恩·弗萊徹,Amie Francis,阿圖爾·夏爾馬甜蜜恰好也三十
趙文琪,楊悅心,陳德容,鐘駿勝,黃柏鈞,紀宇電白天是阿波羅,晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內嫩,內拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克導演精選
致命玩笑2
凱拉(勞拉·喬丹 Laura Jordan 飾)、梅麗莎(尼姬·埃克斯 Nicki Aycox 飾)、鮑比(尼克·扎諾 Nick Zano 飾)和尼克(凱爾·施密德 Kyle Schmid 飾)等四個年輕人正驅車前往拉斯維加斯,準備參加那里舉行的聚會。他們的車載半路拋錨,四人尋求幫助時在荒野找到一座空無一人的房子,繼而在倉庫里找到一輛跑車。經過一番討論,他們決定留下聯系方式,暫時把車開走,并負責賠償車主的損失。 然而他們的想法過于天真,這輛汽車的主人正是恐怖的銹釘(馬克·吉本 Mark Gibbon 飾),凱拉等人破門而入和偷走汽車的行為徹底惹惱了他,銹釘的瘋狂狩獵也隨即展開。凱拉等人命懸一線…
戒靈
顧泓淵身負儲物戒指枷鎖,偽裝廢柴在云道峰隱忍修煉。被迫指導小師妹唐檸,卻意外卷入秘境之爭。玄天派結盟白黎、語笙,為靈石與混元契踏入險地。秘境中智破八門金鎖陣,助唐檸領劍意。面對復蘇的狂暴白澤,他打破戒指枷鎖突破元嬰,與師兄漠儒楓合力將其封印。攜混元契歸來后穩固修為,眼神暗藏鋒芒,新的冒險已然開啟,而壁畫深處滲出的黑暗氣息,預示著更大危機正在醞釀
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster