即刻觀影
劇情賞析
編輯推薦
飛馳人生3
沈騰,尹正,黃景瑜,張本煜,魏翔,沙溢,范丞丞,孫藝洲,段奕宏,張新成,胡先煦,李治廷,白宇帆,周政杰,高華陽,賈冰,王安宇,陳永勝,馮紹峰,郝瀚巴音布魯克最后一站收官后，張馳（沈騰 飾）受邀作為車隊主教練征戰全新賽事“沐塵100拉力賽”，“野生車手”走上國際舞臺！面對高手如云的全新賽道，孫宇強（尹正 飾）、記星（張本煜 飾）一如既往協同作戰，林臻東（黃景瑜 飾）等實力車手應邀強勢集結，一支凝聚了頂配速度與信念的車隊就此成立！然而，張馳發現真正的挑戰仿佛并非來自比賽本身，賽場之外暗流涌動，讓他們飛馳之路充滿變數……
致命圍困
米莎·巴頓,黛博拉·卡拉·安格,卡梅隆·布萊特馬里斯特拉扎被稱為建筑界的藝術家和大師，他所設計的建筑被同行奉為典范。在某個，一幢馬里斯特拉扎的代表作拔地而起，然而這里卻發生了慘絕人寰的兇案。許多無辜之人被砌在墻壁中，澆筑水泥窒息而死，這幢大樓也從此廢棄。 15年后，年輕美麗的女拆遷工程師薩曼莎（Mischa Barton 飾）自學校畢業，她從父親手中得到拆毀那幢大樓的任務。薩曼莎獨自一人前來，在這里認識了女管理員瑪麗?蘇特（Shannon Jardine 飾）和她的兒子吉米（Cameron Bright 飾）。從母子的口中，薩曼莎得知這幢大樓的一些禁忌，而在吉米的引導下，她逐漸發現這里陰暗的一面……
被撓
大衛·法里爾,迪倫·里夫,大衛·斯塔爾,哈爾·卡普,戴維·達馬托網絡上流傳著關于“撓癢”的神秘競技，一個同志想參與這場“撓癢癢大賽”卻被告知此運動僅限直男。記者大衛·法里爾(David Farrier)深入探尋后發現“撓癢”的背后是一條完整的灰色產業鏈，這其中不僅有撓癢視頻的制作方對演員的壓榨與侵害，甚至還能看到美國由金錢操縱的階級制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節世界電影單元紀錄片評審團大獎提名。 一場“撓癢”的運動，卻讓人笑不 出來。
幸福2024
洼冢愛流,蒔田彩珠影片改編自《下妻物語》等經典作品的原作---嶽本稔明的同名小說。故事講述了得知女友一周后就要死亡的“我”和“她”的青春物語。
擂臺兄弟
阿俊·阿肖坎,羅尚·馬修,維沙克·奈爾 ,Ishan Shoukath,Carmen S Mathew,Siddique,Syamaprakash M.S.,Thezni Khan,拉克施米·麥儂,Mammolotti在科欽堡，一群不合群者聯合起來創建了一個摔跤團體，他們面臨內部競爭和滑稽的打斗，并隨著成長去應對更大的障礙。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.