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77號頂層公寓
芭比·福特薩,Euwenn Mikaell,JC·阿爾坎塔拉,羅桑娜·羅瑟斯,Jackie Lou Blanco,卡洛斯·西古伊納-瑞納,吉娜·帕雷諾,Chrome Cosio亂馬12:決戰桃源鄉!奪回新娘子!!
山口勝平,林原惠美,日高范子,高山南,井上喜久子,大林隆介,緒方賢一,鈴置洋孝,山寺宏一,鶴弘美,佐久間玲,關俊彥,永井一郎,麻生美代子,真殿光昭,中島聰彥,飛田展男,二又一成,松尾貴司,西村朋纮西伯利亞的理發師
朱莉婭·奧蒙德,歐列格·緬希科夫,阿列克謝·彼得連科,理查德·哈里斯,弗拉基米爾·伊林刺客密碼
賈斯汀·查特文 Justin Chatwin 彼得·斯特曼 Peter Stormare Mark Thompson精武陳真:租界風云
陳國坤,呂艷蓓,王宏哲,馬群雄,張姝陽,孫盈藝,張永華,阿諾禁地大戰
彼得·斯特勞斯,莫利·林沃德,埃涅·赫德森,安德莉亞·馬爾科維奇,哈羅德·雷米斯同類推薦
那家伙
周元,柳海真,李裕英,劉慧英,李俊赫,金英熊1999年釜山的一個小村莊里,女學生恩智(劉慧英飾)被害身亡,她的哥哥張宇(周元飾)也失去了唯一的親人,他決心一定要查出殺害妹妹的兇手。由于一點線索都沒有,張宇不得不借助能預知死亡的少女(李柔英飾)的力量來追查真兇,并在追查的過程中,盯上了小區內平常人緣和口碑都不錯的藥店藥師閔藥局(劉海鎮飾),雖然沒有證據,但是張宇卻認定他就是“那個家伙”,于是開始24小時緊盯著閔藥局 。
無法在你的臉上哭泣
芳根京子,高橋海人,西川愛莉,武市尚士,中澤元紀,前原滉,林裕太,大塚寧寧,赤堀雅秋,片岡禮子,山中崇本片改編自同名小說,故事始于高一夏天,坂平陸(高橋海人 飾)與水村真奈美(芳根京子 飾)在泳池事故后靈魂互換。兩人堅信能恢復原狀,苦尋方法,然而15年過去,依舊未能換回。升學、初戀、就業、結婚、生子,他們只能以彼此的身體走完人生重大節點。直到30歲那年夏天,真奈美突然說:“我或許知道怎么換回來了。”命運的齒輪,開始再次轉動——
這么遠那么近
樸浩山,宋再臨,高恩敏一位外向、人緣好的酒吧老板,雖然平日喜歡與人群為伍,內心深處卻一直隱藏著對十年前逝去戀人的細膩思念。每當他遇見容貌神似她的女子,總是不自覺地駐足凝望,深陷于回憶的漩渦中。
血腥老虎:沖突開始
魯格曼·哈菲茲,本·阿米爾,阿馬爾·阿爾菲安警官哈金臥底潛入紅虎幫,并成功贏得該幫派的信任。他不僅成功揭露了他們的罪行,還必須直面這些殘暴的罪犯。然而,他遭遇背叛,陷入道德困境,在不為人知的情況下為維護正義而戰,他的忠誠度也受到了考驗。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster