即刻觀影
劇情賞析
編輯推薦
AUNTY當網紅
林肯大戰僵尸
小比爾·奧伯斯特,克里斯·赫洛澤,Jason Vail19世紀,經歷了影響深遠的南北戰爭,美國終于迎來了新的時代。亞伯拉罕·林肯(比爾·奧伯斯特 Bill Oberst, JR 飾)接連取得與人類的勝利,卻不得不面對新的敵人。他麾下一直部隊在巡察途中遭遇活死人,三十人僅有一人幸存,但由于驚嚇過度精神失常。北方政府懷疑這是南方的最新武器,于是計劃派出一支12人的小分隊深入敵后,救出被困的人員。勇猛無敵的林肯見識了活死人的威力,自告奮勇帶部隊向南方進發。在目標要塞,他們遭遇了數量龐大的活死人軍團,這群怪物的殘忍更遠遠超出他們的想象。 死亡救援之旅漫長難熬,偉大的林肯總統能否帶著他的子民逃出生天……
開心三響炮
曾志偉,陳百祥,陳友,古嘉露啄木鳥(曾志偉 飾)和甘油條(陳友 飾)是同事兼好友,兩人相識多年,默契十足,感情十分要好。某日,在執行追捕黑幫大佬阿成(沈微 飾)的過程中,兩人結識了警花吉吉(古嘉露 飾),三人結成搭檔。于是,在啄木鳥和甘油條之間,一場異常激烈的撩妹比賽拉開了序幕。雖然啄木鳥能說會道十分神氣,但甘油條似乎更加喜歡內向靦腆的甘油條。 阿成綁架了啄木鳥和甘油條的好友花利文(陳百祥 飾),想要以他的性命威脅兩人,換取自由。啄木鳥和甘油條自然為了救出好友而火速前往現場,面對殘暴的阿成,兩人能夠順利的救出花利文嗎?
相遇之家
宋智孝,都嬴谞,玉智英,尹惠利擁有15年資歷的資深女獄警,得知自己所負責的收容人美英母親的死訊,之后開始展開的故事。獄警在告別式場以及殯儀館遇見了美英的女兒俊英,這短暫的相遇,給三人的生活帶來了溫暖的變化。
嗜血之夜
Nate Dushku,Samantha Facchi,Danielle Harris一群十幾歲的少年慶祝一個本地連環殺人犯的忌日,突然發現他們自己與這個困擾的城市傳說的現實面對面。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster