情事：小姨子的愛

? 8.1 播放：95萬 2026-04-24
主演：李采潭 金知妍 

恩珠（李采潭飾）跟姐姐生活在一起，姐姐好心給恩珠請了一個男家教，跟家教的愉快相處使恩珠漸漸愛上了這個成熟的男人，在她終于鼓足勇氣表白的時候，男家教竟然要跟姐姐結婚了，恩珠傷心的選擇了放棄這段感情....五年后，恩珠離婚，再次回到姐姐家中居住，姐姐卻患上了不治之癥，不久離開人世，跟姐夫單獨相處的日子，恩珠心中那份沉默已久的感情，似乎又開始爆發.... 　　

在線觀看

? 播放 情事：小姨子的愛

劇情提要

恩珠（李采潭飾）跟姐姐生活在一起，姐姐好心給恩珠請了一個男家教，跟家教的愉快相處使恩珠漸漸愛上了這個成熟的男人，在她終于鼓足勇氣表白的時候，男家教竟然要跟姐姐結婚了，恩珠傷心的選擇了放棄這段感情....五年后，恩珠離婚，再次回到姐姐家中居住，姐姐卻患上了不治之癥，不久離開人世，跟姐夫單獨相處的日子，恩珠心中那份沉默已久的感情，似乎又開始爆發.... 　　

幕后花絮

黑暗心靈

　　艾丁一直相信，過去的一切已經過去，他由一位善良的養父撫養長大，最終找到了家的感覺。然而，當他的親生父母被神秘謀殺后，一切都改變了。悲痛和對正義的渴望驅使著他。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.