劇情縱覽
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Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
青春少女瑪麗(Cécile De France 飾)和愛莉西婭(Ma?wenn Le Besco 飾)是同在法國巴黎一所大學就讀的好朋友。某個周末,兩人驅車前往愛莉西婭家位于鄉下的農場度假。適值深夜,萬籟俱寂,瑪麗寂寞難耐正在自我宣泄之時,一個不速之客突然闖入。他殘忍殺害了愛莉西婭的父母和年幼的弟弟,并將其擄去。為了營救好友,瑪麗悄悄鉆進兇手的卡車。途經一個加油站,她換上同樣慘遭殺害的店員的車繼續跟蹤,卻被狡猾的兇手發現行跡。一場近乎迷幻的貓鼠殺戮游戲旋即進入高潮…… 本片榮獲2003年Sitges – Catalonian國際電影節最佳女主角(Cécile De France)、最佳導演、最佳化裝和歐洲奇幻電影大獎銀獎。
故事主角是失去五歲女兒芽衣的鈴木佳惠(長澤雅美)和丈夫忠彥(瀨戶康史)。沉浸在悲傷中的佳惠,在古董市場找到一個與芽衣非常相似的可愛洋娃娃,并開始呵護它,逐漸恢復了活力。但是,佳惠和忠彥有了新的女兒真衣之后,兩人就不再關注這個洋娃娃了。漸漸地,五歲大的真衣開始和洋娃娃玩耍,這個家庭接二連三地發生奇怪的事情。佳惠他們試圖擺脫這個洋娃娃,但無論扔掉還是供奉,這個洋娃娃卻莫名其妙地回來了!洋娃娃隱藏的秘密是什么?以及即將揭開的震撼真相是什么——!
該取材于武穴市4000多名黨員下社區、進小區,通過黨建引領老舊小區改造的故事:建于上世紀七、八十年代的老油廠小區,有9棟樓160多戶居民,是一個典型的無物管、無主管部門、無人防物防的“三無”小區。這里許多居民亂搭亂建雜物間、小車棚,下水道破損無人維修,生活污水橫流,居住環境十分惡劣。有條件的住戶外出購房搬離后,又將這里的房子出租出去,導致這兒的居住環境更加復雜。龍潭社區主任張昊陽借老舊小區改造之際,做活黨建+的文章,派出社區片警樊玉鋒任第一支部書記,引導居民開展“法治、德治、自治”。在社區工作者和小區黨支部+業主委員會的共同努力下,解決了一批居民急難愁盼的事,終于讓居住在這里的近千名群眾生活出現了新業態。