在線播放
劇情簡介
深夜，今天也正值班的出租車司機光植。出租車后座上：迷你裙，雙腿之間，誰會出賣自己的身體睡覺，只是一個奇怪的女人。 光植是悠閑的街道上出租車,路邊吸煙，看見傷痕累累的英淑路過。幾天后,深夜也正在出租車司機的光植。英淑招了光植的出租車，初次見面。英淑在后座睡著了。光植提醒睡覺的英淑到地方了，突然光植走近激吻了英淑。在出租車里充滿激情,分享愛情的光植和英淑。感到孤獨的英淑漸漸走向光植。有一天英淑發現有了光植的孩子。 愛情,還是僅僅是玩一玩，無法控制的危險的關系。
同類好片
春娥
李心敏,李迎旗,許劍,陳燕伊劫車
Ron Perlman,Saffron Burrows尸咒
金允慧,宋以載,樸智勛,李相亞蔗噬
喬茜·朱麗葉特·沃特,Kellan Jackson,Lacey Katena,Michael Mau,邦妮·布魯爾,Zach Ball,Ashley Nicole Blake,Haley Johnson,妮可·凱茨,Cullen Lovelock,Kevin J. Stone,Clarence Garner,貝內特·韋爾奇,Will Landis,Cate Whitlatch四面三角
Barbara Payton,James Hayter,Stephen Murray雛菊1966
雅羅斯拉夫·庫切拉,伊萬娜·卡爾班諾娃,埃斯特爾·克倫巴赫喬娃,伊特卡·采爾霍娃,Marie Cesková,Jirina Myskova,Marcela Brezinová,Julius Albert,Oldrich Hora,Jan Klusák,Václav Chochola,Josef Konícek,Jaromír Vomácka,Miroslava Babúrková,J. Bartos,Oldrich Basus,Jirina Cesková導演精選
河流如血
The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.
雙龍吐珠
英勇保護證人而展開一連串的警險搞笑…… 吳阿秋（吳耀漢）與貝多芬（岑建勛）奉命保護重要證人羅美美（羅美薇），但美美天性反斗，不喜被貼身保護，偷偷溜走，引來追殺危機。秋誤以為自己身患絕癥，變得非常搏命，與殺手拼個你死我活……
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.