妥協(xié)
美國花花公子娛樂公司拍攝影片，基拉蘆葦執(zhí)行直頭發(fā)深色的叫勞倫，年輕的女性，獲取執(zhí)行采訪一小撮戀愛閱歷，作為一種手段的生產(chǎn)調(diào)查紙，可她制造，關(guān)于性活躍人群數(shù)目已經(jīng)被最近向她解釋了作為穿透他們和執(zhí)行在他們身上，仿佛有些神秘力量的故事
即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
邪貓劫
Toni Hudson,Eric Larson,Alex CordA bunch of young people are invited to a Caribbean cruise on a gangster's yacht, to distract the attention of the authorities. Unfortunately, a mutant cat which escaped from a test laboratory also gets on board, and kills most of the passengers.
黑暗殺機(jī)
亞歷山大·斯卡斯加德,麗莉·吉?dú)W,詹姆斯·戴爾,杰弗里·懷特,梅肯·布萊爾,喬納森·懷特賽爾,詹姆斯·布魯爾,埃里克·李塞德,朱利安·布萊克·安蒂洛普,安娜貝爾·庫帖,巴布·米切爾杰弗里·懷特、亞歷山大·斯卡斯加德和詹姆斯·戴爾共同加盟新片[持有黑暗](Hold The Dark,暫譯)，由杰瑞米·索爾尼爾([綠色房間])執(zhí)導(dǎo)。影片講述阿拉斯加偏遠(yuǎn)地區(qū)出現(xiàn)野狼殺死孩子的事件，一位專家被派到這里調(diào)查，發(fā)現(xiàn)事件圍繞著一對神秘的夫妻展開。該片將于3月在加拿大亞伯達(dá)開拍。
總統(tǒng)班底
達(dá)斯汀·霍夫曼,羅伯特·雷德福,杰克·沃登,馬丁·鮑爾薩姆,哈爾·霍爾布魯克,F·默里·亞伯拉罕,簡·亞歷山大,杰森·羅巴茲根據(jù)水門事件揭發(fā)人Carl Bernstein和Bob Woodward所寫自傳改編的電影。二人是《華盛頓郵報(bào)》的記者，在水門事件里，他們歷盡艱辛揭開政治黑幕，人物和事件一同成為美國一段家喻戶曉的歷史。故事由五名盜賊開始，他們潛入水門大度行竊。本來是一樁不甚重大的刑事案件，卻在Bernstein（達(dá)斯汀·霍夫曼Dustin Hoffman 飾）和Woodward（羅伯特·雷德福Robert Redford 飾）的追查下，最終撕開了一條大裂縫，矛頭直指總統(tǒng)尼克松。從1972年到1974年，從尼克松競選總統(tǒng)到尼克松連任上臺，華盛頓郵報(bào)受到的壓力越來越大，甚至被威脅。主編本·布萊德利站在了新聞自由和相信自己記者的這邊，Bernstein和Woodward得以繼續(xù)追尋事件真相，得到了重要線人“深喉”的幫助，經(jīng)歷了難以想象的曲折艱辛后，水門事件最終導(dǎo)致尼克松總統(tǒng)下臺。
國王理查德
威爾·史密斯,黛米·辛格頓,薩尼雅·西德尼,安潔紐·艾莉絲-泰勒,喬·博恩瑟,托尼·戈德溫,米凱拉·拉沙·巴塞洛繆,達(dá)尼埃萊·勞森,萊拉·克勞福德,埃里卡·林格,諾亞·比恩,克雷格·泰特,喬賽亞·克羅斯 ,小卡爾文·克勞塞爾,沃恩·W·希伯倫,小吉米·沃克,凱文·杜恩,布拉德·格林奎斯特,布蘭頓·莫拉萊斯,愛麗珂謝弗,安迪·比恩,朱迪思?查普曼,切特·格里索姆,喬納森·貝萊,卡特里娜·貝恩,里奇·索莫,艾琳·庫明斯,湯姆·德格南,弗吉尼亞·施奈德,瓦萊麗·戴維森,漢娜·巴爾福特,梅爾·法爾,瑪麗·帕斯科,該片劇本排2018年好萊塢“劇本黑名單”第二，講述理查德·威廉姆斯的真實(shí)故事，這位精明務(wù)實(shí)、不屈不撓、沒有任何網(wǎng)球背景的父親培養(yǎng) 出了兩個網(wǎng)球天才，她們后來成了超級巨星——維納斯·威廉姆斯和塞雷娜·威廉姆斯(大威小威)。理查德·威廉姆斯為女兒們的職業(yè)網(wǎng)球生涯起草了一份78頁的計(jì)劃，女孩們在康普頓破舊、雜草叢生的公共球場上學(xué)會了這項(xiàng)運(yùn)動。據(jù)報(bào)道，在那之前，她們的父親與一些不喜歡這項(xiàng)運(yùn)動、不肯讓位的年輕硬漢發(fā)生了爭執(zhí)。威廉姆斯姐妹后來成為了網(wǎng)球史上最偉大的女選手之二。
公子多情
周潤發(fā),梅艷芳,利智,曾志偉,李美鳳,王青富商施頭（王青 飾）其貌不揚(yáng)，在某次名流聚會上被美女Lychee（利智 飾）戲弄，懷恨在心，并揚(yáng)言報(bào)復(fù)。偶然機(jī)會，施頭遇見來自大陸的前進(jìn)發(fā)（周潤發(fā) 飾）、高佬偉（曾志偉 飾）和傻雞（成奎安 飾）。他靈機(jī)一動，希望讓前進(jìn)發(fā)假扮貴公子勾引Lychee，并請出儀表教練Anita（梅艷芳 飾）對其進(jìn)行貴族禮儀訓(xùn)練。 苦于在香港不見出頭之日，三人一口應(yīng)承下來。經(jīng)過一段時(shí)間的魔鬼訓(xùn)練，前進(jìn)發(fā)在隨后舉行的印度弱智兒童基金晚宴上大出風(fēng)頭，將Lychee在內(nèi)的一干美女迷得神魂顛倒，甚至連親手將其調(diào)教出來的Anita也不能自已……