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劇情簡介
王莽亂政時期,北匈奴乘機吞并西域控制絲路,漢朝廷為重新打通絲路,派班超出使西域。在車師前王部與匈奴兩萬鐵騎展開了殊死較量,頑強的以最后所剩13人之力堅守疏勒城,創造出世界軍史經典戰例,成就了大漢軍魂。
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毛骨悚然撞鬼經 2021特別篇
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蘇拉吉·潘喬里,Isabelle Kaif,Sammy Jonas Heaney心靈與智慧
德懷特·戴維·艾森豪威爾,William Marshall,喬治·皮杜爾長春花園
趙胤熙,金周靈,許棟元,鄭仁謙人氣佳作
春天不是讀書天
馬修·布羅德里克,阿蘭·盧克,米婭·薩拉,杰弗瑞·瓊斯,詹妮弗·格雷,辛迪·皮克特,萊曼·沃德,伊迪·麥克勒格,查理·辛,本·斯坦,德爾克洛斯,弗吉尼亞·卡珀斯,理查德·埃德森,克里斯蒂·斯旺森,馬克斯·佩利希,斯科特·科菲,Tom Spratley,Debra Montague,喬伊·D·維埃拉,路易·安德森,Dick Sollenberger,迪迪·雷斯徹,Katie Barberi,Kevin Bassett,Harry Caray,詹姆斯·M·赫夫曼,約翰·休斯,Joseph P. McDonne守骨異獸
約翰·瑞斯-戴維斯,薩拉·亞歷山德拉·馬克斯,Louis James,蒂芙妮·漢納姆·丹尼爾斯,索菲亞·埃萊尼,Danny Rahim,泰勒·溫奇科姆,Sarah T. Cohen,Lee Baker,Marco Antonio Clifton,安吉拉·迪克森,Wayne Gordon,索菲·蘭金敲敲門
安娜·德·阿瑪斯,Lorenza Izzo,亞倫·伯恩斯母親2020
長澤雅美,奧平大兼,阿部隆史,郡司翔,夏帆,皆川猿時,仲野太賀,木野花,土村芳,荒卷全紀,大西信滿,淺田芭路導演精選
潛艦情緣
她是一名戰術潛艇軍官。他是管家。在潛水90天之前,她選擇了“四個小時”。但它就在這里!誰跟著她!誰粘的!如果747機組人員以浪漫為榮,我們會去哪里?就像我們有時間在軍事建筑上戀愛一樣!然而,太平洋還不夠大。北冰洋也沒有。當你用如此偉大的愛彼此相愛時,世界是如此渺小。。。
外星精神病
Ryan O'Neil是一位在戰斗中受傷后患有PTSD的退伍軍人,他懷孕的妻子斯蒂芬妮回到家中。她的哥哥托尼是一個腐敗的警察,她的丈夫一直在為這個國家服務,她一直在幫她。瑞恩和托尼從來都不喜歡對方,而托尼試圖干涉他們的婚姻,事情變得激烈起來。但是,當瑞恩在夜晚開始在他的房子里閃現出殺手,外星人和其他奇怪生物的閃光和幻影時,他不確定這是真的還是只在他腦海中。斯蒂芬妮已經和瑞恩在一起,對丈夫的行為深表擔憂。隨著歲月的流逝,瑞恩很快就會發現他的噩夢在他身上縈繞著什么邪惡的存在。
好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster