劇情縱覽
司迪妮(凱瑟琳?貝勒暫無內容Kathleen暫無內容Beller暫無內容飾)是一位非常年輕的姑娘,對待生命的態度充滿了熱忱,可是,這樣一個美好的女孩,在上帝的作弄之下,她的生命只剩下6個月的時間了,而唯一能夠延長她壽命的方法,就是去接受價值不菲的手術。司迪妮的丈夫是一名工人,手術所要花費的數額對于他們這樣的家庭來說堪稱天價。
司迪妮(凱瑟琳?貝勒暫無內容Kathleen暫無內容Beller暫無內容飾)是一位非常年輕的姑娘,對待生命的態度充滿了熱忱,可是,這樣一個美好的女孩,在上帝的作弄之下,她的生命只剩下6個月的時間了,而唯一能夠延長她壽命的方法,就是去接受價值不菲的手術。司迪妮的丈夫是一名工人,手術所要花費的數額對于他們這樣的家庭來說堪稱天價。
在開往家鄉的客運上,恩浩(具教煥 飾)遇見了休學后下定決心要前往某處的正媛(文佳煐 飾),產生了一段不可思議的緣分。為彼此的夢想加油的兩人,不知不覺地深入對方的生活,成為了一對戀人。一同歡笑、爭吵、和解的兩人,雖然擁有了世上最熾熱的愛,但面對殘酷的現實,兩人最后仍選擇分道揚鑣。就這樣過了10年,再次遇見彼此的瞬間,恩浩問了正媛一直很想問的問題“如果我們……” 影片改編自2018年劉若英執導的《后來的我們》。
鄭家村,突然發生了一系列似怪異的事件。 眾人來到鄭家老宅,鄭浩民在了解情況后,特邀請曾經的同事,考古學教授張信安前來一同進行科學調查。 張信安等人來到鄭家村與鄭浩民等開展了一系列的調查工作。 張信安在觀察了鄭家老宅后,從科學依據做出判斷,鄭家老宅四面環山傍水,陰濕氣重,在地理上形同一個低洼混區,導致磁場混亂,各種正常人感知不到的微弱電波無法散發。 就在調查即將接近真相的時候,兩位教授遭受莫名攻擊,陷入可怕幻覺,導致兩人當場昏迷。 事態進一步惡化,破開迷霧的重任壓在了韓斌和張紫涵這一對年輕戀人身上。 韓斌在經過一系列的詭異后終于找出緣由。
在9月29日結束為期八周的有限活動后,《香蕉騎行》據說向羅斯展示了不同的一面,這是一場結合了喜劇、自傳體故事和音樂元素的更個人化、更發自內心的表演。這部劇是關于慶祝生活、紀念損失和為生活中的意外事件做好準備。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster