劇情縱覽
嫖客是黑社會老大,和妓女在某大廈酒店內玩SM,他讓妓女背對著他趴在落地玻璃窗上,扭動臀部,這個鏡頭可能是用直升飛機拍攝的:從中午到將暮的黃昏,光影在萬丈高樓之間作幾何運動,妓女一直趴在巨幅落地窗上。嫖客的要求很簡單,就是扭到“濕”了為止。完了,嫖客問妓女:“你覺得你是一暫無內容個怎樣的人?”,妓女答:“是一個幾乎沒有用的人”。
嫖客是黑社會老大,和妓女在某大廈酒店內玩SM,他讓妓女背對著他趴在落地玻璃窗上,扭動臀部,這個鏡頭可能是用直升飛機拍攝的:從中午到將暮的黃昏,光影在萬丈高樓之間作幾何運動,妓女一直趴在巨幅落地窗上。嫖客的要求很簡單,就是扭到“濕”了為止。完了,嫖客問妓女:“你覺得你是一暫無內容個怎樣的人?”,妓女答:“是一個幾乎沒有用的人”。
焦嬌(湯唯 飾)15歲就來到了澳門,過著顛沛流離的生活,之后成為了賭場公關。羅大牛(吳秀波 飾)早年來到美國,一番摸爬滾打,如今已經是小有名氣的加州房地產經紀人,事業一帆風順的他在情場上自然步步為贏,是公認的鉆石王老五。 一本名為《查令十字街84號》的書讓這一對生活毫無交集的男女走到了一起,兩人通過電子郵件進行交往,透過種種誤會和波折,最終發現彼此是自己的靈魂伴侶。在此期間,焦嬌徘徊在鄭義(陸毅 飾)、鄧先生(王志文 飾)和詩人(祖峰 飾)之間不知何去何從,而羅大牛則在同華裔老夫妻林平生(秦沛 飾)和唐秀懿(吳彥姝 飾)的交往當中逐漸發現了人生的道義。
為紀念逝世的奶奶,許久未見的堂兄弟大衛與班吉相約前往波蘭參加導覽團,也順道探訪奶奶的老家。一路上,班吉有話直說、率性風趣的性格迅速與同團人士拉近距離,令木訥拘謹的大衛既焦慮又羨慕,壓抑已久的情緒日益沸騰。然而,隨著旅途種種安排不斷挑動班吉的敏感神經,他的狂放不羈似乎逐漸走向失序,大衛試圖息事寧人,但內心的不安卻席卷而來。這趟尋根之旅,能否解決彼此心底難以言說的痛楚?
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
19世紀末的西班牙巴塞羅那,阿圖爾·普拉特(塞爾吉·馬特烏 Sergi Mateu 飾)經營著慈父望遠鏡行,他事業有成,家境富裕,但是愛女喬安娜(芭芭拉·格娜加 Bárbara Goenaga 飾)因出生時患有腦炎,因此自幼罹患了一種極為罕見的病癥——失認癥(agnosia)。這種病癥讓她在身體各個感官都健全的情況下,無法順利地認知周遭的人與物。 阿圖爾長久以來都在努力尋找治好女兒的辦法,而他所掌握的商業機密也都成為同行乃至合作伙伴急欲得到的珍寶。父親臨終之際,將商業機密托付給了喬安娜。與此同時,愛情與誘惑接連降臨,而在這份看似浪漫的追求背后,利欲熏心的人們用無情卑鄙的手段傷害著無助的喬安娜……