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玩偶屋
羅伯塔·科林斯,帕姆·格里爾,Judith Brown,Brooke Mills,Pat Woodell動物僵尸2
Jonathon Buckley,Jarrid Masse四封情書
費昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達·薩喬,亞歷山德羅·布雷薩內羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco來聊聊須緒美吧
長澤雅美,西島秀俊,松坂桃李,瀨戶康史,遠藤憲一,小林隆,坂東彌十郎,戶塚純貴,阿南健治,梶原善,宮澤艾瑪復仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大內醫探
張舉舉,趙靜沛,胡藝瀟,吳悅菡一名娘娘腔小太監，華麗麗變身男子漢的嬉笑之旅！ 大內丹藥總管賈公公的助手、后宮人氣王——太監小權，遇上了心上人，開始研究如何還原男兒之身，重拾男子氣概！不料研究之路布滿荊棘，小權在研究丹藥的過程中，不小心撞破一場驚天大陰謀！后宮黑幕重重，為了能挽救無辜、和喜歡的人在一起，小權決定奮起反擊，揭露黑暗！且看太監小權大顯身手，在后宮掀起波瀾！
我是自愿讓他殺了我
蔡淑臻,鄭人碩,薛仕凌,余晉,尹昭德,趙逸嵐,阮柏皓,蔡承邑刑警周行跟女友陳凱欣求婚前夕，臨時接獲一起兇殺案通報，他循線趕到山區，當場逮捕殺人犯李子建，發現死者居然是他的女友。周行強忍震驚與悲痛，一路追查真相，犯人貴為議長獨子，在議長袒護下試圖翻案，更自白對方是自願被殺。更讓周行意外的是，來認女友屍體的是一群陌生家屬，她的真實身份另有其人，案情陷入膠著，女友留下的重重謎團，讓往日深情的一切瞬間被摧毀。 七十六號原子繼犯罪影集《追兇500 天》後，再度推出女性心理驚悚懸疑作品，由鄭人碩、蔡淑臻、薛仕凌等主演，改編自知名小說家逢時同名原著，非典型的「幫助殺人」概念相當吸睛，挑戰複雜跳接的時序劇情，翻轉犯罪線索的邏輯，燒腦程度直逼《緝魂》。
杰夫·羅斯：帶蕉上路
杰夫·魯斯在9月29日結束為期八周的有限活動后，《香蕉騎行》據說向羅斯展示了不同的一面，這是一場結合了喜劇、自傳體故事和音樂元素的更個人化、更發自內心的表演。這部劇是關于慶祝生活、紀念損失和為生活中的意外事件做好準備。
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個感化院的青年在兩名警官的監督下，前往鄉間一所破敗的客棧中接受社區服務，但是他們的到來卻無意中驚醒一個沉寂已久的惡魔。雅克布?古德奈特 飾（Glen Jacobs 格蘭“凱恩”雅克布 飾），身高七英尺，體重四百磅，頭骨里嵌著一個生銹的鐵盤，鋒利的指甲足夠戳穿對手眼睛的精神病患者。 雅克布四年前曾被警官弗蘭克?威廉姆斯（Steven Vidler 飾）槍擊頭部，卻僥幸逃生。如今弗蘭克正是這群青年的督導員。弗蘭克和孩子們的出現激起了雅克布屠殺的欲望，他舉起巨斧，將客棧變作血腥的屠宰場……