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瘋狂海盜團2
凱瑞·豪根·西德尼斯,Sienna Rosie Schei,David Leander Helgor,Lisa Stokke,哈瓦德·巴克,尼爾斯·約恩·卡爾斯塔德,杰普·貝克·勞爾森,Jan Martin Johnsen,Fridtjof Stens?th Josefsen,Terje Formoe,Charlotte Frogner,雅各布·奧福特布羅貞子大戰(zhàn)碟仙
黃焱明,趙紫彤奸人本色
董驃,許冠英郊區(qū)男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana東北奇妙故事
李明,馮筱童,張雪菡牧群
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圍困4
尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈爾巴托夫,謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir本片是蘇聯(lián)偉大衛(wèi)國戰(zhàn)爭系列史詩巨片之一部。影片盡情歌頌了蘇聯(lián)人民，在德國法西斯圍困列寧格勒的900個艱難的日日夜夜，所表現(xiàn)出來的頑強精神。影片及表現(xiàn)了蘇軍大本營對列寧格勒的戰(zhàn)略布防，也表現(xiàn)出列寧格勒市民面對生死的堅忍不拔。同時也是為數(shù)不多的蘇聯(lián)戰(zhàn)爭影片，客觀地表現(xiàn)了戰(zhàn)爭初期紅軍失利，以及紅軍將領(lǐng)伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現(xiàn)了列寧格勒基洛夫工廠，冒著的德軍轟炸，堅持為前線生產(chǎn)武器，以及軍隊和市民通過城市唯一與外界的通道——拉多加湖通道，運送糧食、武器和其他戰(zhàn)略物資的場面。該片還較為詳實地展示了希特勒攻占列寧格勒的計劃，以及紅軍與市民聯(lián)手防御，共同抗敵的畫面。這部影片，將戰(zhàn)爭的全景展示與戰(zhàn)壕細節(jié)完美地結(jié)合起來，直到今天仍不失為一部反法西戰(zhàn)爭的優(yōu)秀影片，很值得觀賞和借鑒。
征服者2
蘭維爾·辛格,阿克夏耶·坎納,桑杰·達特,阿俊·拉姆鮑,馬達范,莎拉·阿爾瓊,Rakesh Bedi,Danish Pandor,Saumya Tandon,高拉夫·杰拉,Manav Gohil,Naveen Kaushik,阿卡什·庫拉納,K Anshuman Thakur,Vikash RaiHamza Ali Mazari, whose real identity is Jaskirat Singh Rangi, pursues his undercover operation within Pakistan's criminal world while tracking down Majo.
正義聯(lián)盟：無限地球危機(上)
馬特·波莫,詹森·阿克斯,達倫·克里斯,梅格·唐納利,斯坦娜·卡蒂克,吉米·辛普森,扎克瑞·昆圖,喬納森·亞當斯,艾克·阿瑪?shù)?吉奧弗瑞·阿倫德,扎克·卡利森,亞歷山德拉·達達里奧,阿拉斯泰爾·鄧肯,艾托·艾桑多,Cynthia Hamidi,阿爾迪斯·霍吉,石井恵梨香,大衛(wèi)·卡耶,阿什莉·拉特羅普,馬特·蘭特爾The Anti-Monitor (the Monitor's evil counterpart) is released in the DC Multiverse and begins to destroy the different Earths huo87.com that compose it. The Monitor attempts to recruit heroes from across the Multiverse, but is murdered.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼悚歷險3D
阿瑪雅·薩拉曼卡,馬克西·伊格萊西亞斯,Lucho Fernandez心理學(xué)專業(yè)學(xué)生安吉拉（Amaia Salamanca 飾）分外擔心她的期末學(xué)分，在教授的建議下，這個一向不相信超自然的女孩決定去探訪一座早已廢棄的礦區(qū)小鎮(zhèn)Susurro，那里曾經(jīng)有一個嗜血如命的馬特加醫(yī)生，傳說他的惡靈至今還在小鎮(zhèn)上游蕩，殘害偶然闖入的人們。為了證明馬特加醫(yī)生的傳說子虛烏有，也為了順利通過考試，安吉拉和她具有較強第六感的妹妹戴安娜（Alba Ribas 飾）以及同學(xué)喬西（Maxi Iglesias 飾）、托尼（óscar Sinela 飾）、貝蘭（úrsula Corberó 飾）、卡羅斯（Lucho Fernández 飾）驅(qū)車前往那個荒涼陰森的邊遠小鎮(zhèn)。 借助精密儀器和戴安娜的配合，他們似乎真的將馬特加醫(yī)生喚回了人間，而死神也一步步向他們靠近……