愛之女巫

? 6.5 播放：98萬 2026-04-24

一個年輕漂亮的女巫Elaine, 決定去找個愛她的男人。她在她的維多利亞風格的公寓里制作魔法-水和魔咒，然后挑選一些男人誘惑他們。然而她的咒語太有效了，止于用繩子勒死一個不幸的受害者。當她終于遇到心目中的男人時，她對愛的渴望令她走向了精神失常的邊緣以及謀殺　

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劇情提要

一個年輕漂亮的女巫Elaine, 決定去找個愛她的男人。她在她的維多利亞風格的公寓里制作魔法-水和魔咒，然后挑選一些男人誘惑他們。然而她的咒語太有效了，止于用繩子勒死一個不幸的受害者。當她終于遇到心目中的男人時，她對愛的渴望令她走向了精神失常的邊緣以及謀殺　

幕后花絮

靜水

　　在明尼蘇達州北部的“邊界水域”中，六個老朋友之間的周末露營之旅在神秘的環境下死亡后變得悲慘起來，隨著他們企圖在本集團內揭露殺手，引發進一步的動蕩。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster