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本片根據(jù)社會(huì)活動(dòng)家約翰·戴維森的人生經(jīng)歷改編。他年少時(shí)被診斷出患有妥瑞氏綜合征,會(huì)不受控制地抽動(dòng)身體或口吐惡言。妥瑞氏綜合征迫使約翰與同齡人疏遠(yuǎn),而他則不懈與這種鮮為人知的癥狀作斗爭,積極為妥瑞氏人群發(fā)聲。
在邊境城市圣帕布羅,為一年一度的“墨西哥嘉年華”做準(zhǔn)備,加金到來了:強(qiáng)硬,神秘和簡潔。他的任務(wù)是:找到同樣神秘的弗蘭克雨果,顯然是為了報(bào)復(fù);還是敲詐?FBI探員雷茨也在追捕難以捉摸的雨果。鎮(zhèn)上的每個(gè)人都是神秘的,尤其是皮拉,一個(gè)神秘的少年,跟隨加金四處,并預(yù)感到他的死亡。還包括一個(gè)經(jīng)典的女性法塔萊和一個(gè)古老的旋轉(zhuǎn)木馬與一個(gè)粉紅色的馬…
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
影片講述東北“犟種”李明奇(蔣奇明 飾)和他的妻子高雅風(fēng)(李雪琴 飾)如何用一輩子的時(shí)間,守護(hù)一個(gè)“飛上天”的大夢想。在生活的重壓下,這個(gè)夢想時(shí)而成為謀生的工具,時(shí)而又成為照亮絕境的唯一光芒。為了托起沉甸甸的生活,李明奇從599米的高空一躍而下,對命運(yùn)做出勇敢反擊。