VN.032-悅爺妖精

妖獸都市

黎明,李嘉欣,仲代達(dá)矢,張學(xué)友,張耀揚(yáng),李若彤,袁和平,葉山麗子

　　故事發(fā)生在未來(lái)世界，阿龍（黎明 飾）和阿強(qiáng)（張學(xué)友 飾）都是抓捕妖獸的特警隊(duì)警員，但是上司（袁和平 飾）非常器重阿龍，而對(duì)阿強(qiáng)就戒心重重。阿強(qiáng)氣不過(guò)在酒吧買醉，得到了女友（李若彤 飾）的支持寬慰。然而，他心頭總是籠罩著陰影——原來(lái)阿強(qiáng)的母親也是妖獸，后來(lái)他把這個(gè)隱秘告訴了阿龍。阿龍也坦白了自己跟妖獸幻姬（李嘉欣 飾）的一段感情……　　此后，阿龍?jiān)谝淮巫ゲ对笞冢ㄖ俅_(dá)矢 飾）的行動(dòng)中，重逢了現(xiàn)已成為元妻的幻姬，情急之下卻要引出重重誤會(huì)。其實(shí)，元大宗是要跟人類合作的妖獸，但是另有一股液態(tài)妖獸正在肆虐地侵襲這個(gè)城市。在對(duì)抗液態(tài)妖獸的過(guò)程中，阿龍與幻姬的感情經(jīng)歷了生死的考驗(yàn)，但是元大宗的兒子鬼眾道（張耀揚(yáng) 飾）卻設(shè)計(jì)離間意圖消滅人類，與此同時(shí)阿強(qiáng)也發(fā)現(xiàn)了特警隊(duì)的叛徒……

世界大戰(zhàn)：輻射

威廉·鮑德溫,邁克爾·帕爾,凱特·霍吉,哈文·巴拉卡,Jessy Holtermann,布萊恩·萊蒙斯,Ryan Jones

　　The Destroyers of Alien Invasion Attacks Survival the Tripod the Killers.

狄仁杰之通天浮屠

羅立群,許翔,張婉琳,侍宣如

唐載初年，位于郊外校場(chǎng)倒塌的通天浮屠殘骸一夜之間復(fù)活。天空中一條火龍照亮夜空，并噴射火球摧毀了整個(gè)校場(chǎng)，死傷無(wú)數(shù)。隨后通天浮屠也燃起大火，化為灰燼。而異族鬼道在城外叫囂，只有武則天效仿大佛自焚，天下才可免受災(zāi)難。城中內(nèi)外人心惶惶，狄仁杰奉命徹查此案，卻遇到了與自己有過(guò)節(jié)的大理寺少卿裴東升。二人不打不相識(shí)，被迫一起調(diào)查此案。面對(duì)外敵的入侵，隊(duì)友的不信任，狄仁杰決心背水一戰(zhàn)，勢(shì)要查明案件的真相。

生活殘骸

柯林·奎恩,Devin Fabry,Carla Oudin,艾米·舒默,喬什·塞加拉,瑞恩·法瑞爾,Robert E. Torres,吉姆·佛羅倫丁,Robert Kelly,Dan Soder,約翰·塞納,戴夫·阿特爾,瓦妮莎·貝爾,蒂爾達(dá)·斯文頓,蘭道爾·樸,喬·格拉瑟,埃茲拉·米勒,布麗·拉爾森,邁克·比爾比利亞,諾曼·勞埃德,比爾·哈德?tīng)?勒布朗·詹姆斯,丹尼爾·雷德克里夫,瑪麗莎·托梅,戴夫·漢森,皮特·戴維森,吉姆·卡拉梅爾勒,馬索·曼恩,克勞迪婭·奧多爾蒂,凱文·凱恩,蒂姆·麥道斯,妮基·格

　　女孩艾米（艾米·舒默 Amy Schumer 飾），從小被父親教導(dǎo)婚姻不現(xiàn)實(shí)，一夫一妻不現(xiàn)實(shí)，長(zhǎng)大后熱衷泡吧，一直與不同男人約會(huì)卻從不戀愛(ài)。一天，身為男性雜志編輯的她，前去采訪一位專為運(yùn)動(dòng)員治療運(yùn)動(dòng)損傷的醫(yī)生亞倫（比爾·哈德?tīng)?Bill Hader 飾），不料遇見(jiàn)了可能終結(jié)她完美單身生活的真命天子。　　本片由女主角艾米·舒默編劇，根據(jù)她本人的真實(shí)經(jīng)歷改編。

我能有個(gè)見(jiàn)證人嗎

Keira Jang,吳珊卓,里斯·普雷斯利,Elmira Bashash,喬爾·歐萊特,Zaa Nkweta,Shaz Far,Casey Kenneth Wright,森田友希,本杰明·拉特納,派崔克·蓋勒,Naika Toussaint,安德烈·安東尼,多米尼克·盧基·馬泰爾,奧斯卡·查克,裘德·威爾遜,Cassandra Sawtell,特德拉·羅杰斯,Ally Battaggia,Kymo Van Oers

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

大蛇5：怪獸都市

張傲月,梁頌晴,包貝爾,釋彥能,姜超,苑瓊丹,石兆琪,鄔天,譚琍敏,毛凡

太平洋雨夜，海灘尸骸遍野，貨船遭巨獸撕碎，災(zāi)難預(yù)兆降臨。邊郊監(jiān)獄內(nèi)，死刑犯烏川臨刑前夜遇史前大蛇襲擊，混亂中越獄，卻在唐人街被女警秦雅擒獲。 恰逢驲琿化工爆發(fā)蛇災(zāi)，烏川母親被困車間，他拒捕欲救人，此時(shí)各類史前怪獸肆虐，城市淪為煉獄。二人與幸存者躲進(jìn)超市，合力斬殺潛藏怪物。眾人查明，驲琿化工違規(guī)排海才引生物報(bào)復(fù)。 吳川挺身營(yíng)救母親與幸存者，擊敗大蛇阻止二次污染

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster