劇情簡介
專務丸木戶定男(山谷初男 飾)與妻子在生育孩子的問題上存在分歧,兩人的婚姻更因妻子偷偷做試管受孕而破裂。 暴雨之夜,婚姻失敗的丸木戶結識與前妻有幾分相像的年輕女店員江守由佳(志摩みはる 飾),一番纏綿曖昧過后,由佳隨這個初次見面的男子來到他的公寓。此時,丸木戶露出殘忍的面目,他將由佳綁起,用皮鞭和利器對其進行瘋狂的虐待,縱情宣泄對前妻的憤恨和不滿。由佳被折磨得奄奄一息…… 若松孝二早期低預算密室電影。
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超凡世界
約翰·邁爾斯,Géza R?hrig,邁克爾·古爾德,海莉·卡邁克爾,奈德·丹內利,赫立德·阿卜杜拉,艾力克·高敦,塔尼婭·雷諾茲,塔格·墨菲,揚·貝弗特,凱特·迪基,薩姆·盧維克,阿德里安·勞林斯,Slavko Labovic,喬納森·凱斯,伯恩·戈曼,西蒙·曼勇達,蒂姆· 普萊斯特,道格拉斯·羅素,拉多米爾·尼科利奇帶觀眾走入衰敗中的歐洲,來一趟超凡之旅。集結了黑色幽默和奇幻故事,講述一群人在碰上了一位陌生人之后,他們的生活開始崩壞。
異次元駭客
克雷格·比爾克,阿明·繆勒-斯塔爾,格瑞辰·摩爾,文森特·多諾費奧,丹尼斯·海斯伯特,斯蒂文·沙博,Jeremy Roberts,里夫·霍頓,萊昂·里皮,珍妮特·麥克拉克倫,布拉德·威廉姆·亨克,伯特·布洛斯,Venessia Valentino,霍華德·S·米勒,蒂婭·德克薩達,施瑞·阿普萊碧,鮑勃·克萊德寧,艾莉森·洛曼,Hadda Brooks,厄尼·里夫利,托妮·索耶,Brooks Almy,李韋弗,杰弗里·里瓦斯,Travis Tedford,杰夫·布魯門克蘭茨,約翰尼·克勞福德,Tracy P十三,一個聽起來就有些陰冷的數字。在一座大廈的第十三層,科學家道格拉斯?霍爾(克雷戈?比克飾)和漢農?富勒(阿明?繆勒-斯塔爾飾)用電腦模擬出一個逼真的1937年的洛杉磯,他們可以通過電腦進入這個虛擬世界,真實地體驗1937年的生活與自己。然而一個夜里,富勒被人殺死,種種線索都表明似乎是霍爾所為。可霍爾卻對當天夜里的事情全無記憶。這時一個自稱是富勒女兒的女人又神秘出現,可霍爾從未聽富勒說過自己有女兒……為了找到兇手明曉真相,霍爾循著富勒留下的線索來到虛擬世界中,他離真相越來越近了……近到窒息……
即興謀殺
李庚希,鄧家佳,劉奕鐵,黃曉明,岳佳頤,趙胤胤,楊皓宇,宗俊濤,呂鑫,龔毅星,于晞悅神秘孤島上只有一座何家古堡,以前死過很多人。半癱少女何思怡(李庚希 飾)離家17年后歸來,父親卻離奇失蹤,迎接她的是美艷溫柔的繼母(鄧家佳 飾)、風度翩翩的私人醫生(黃曉明 飾)、年輕健碩的司機(劉奕鐵 飾)和萬般貼心的女傭等人。這一切看似平靜,但不時響起的古怪聲音,似有若無的血腥氣味,似乎都藏著這座古堡不可言說的秘密,一步步將這家人 拖入萬劫不復的深淵,一場蓄謀已久的復仇大戲漸漸拉開帷幕……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
如何大賺一筆
格倫·鮑威爾,瑪格麗特·庫里,杰西卡·亨維克,比爾·坎普,扎克·伍茲,托弗·格雷斯,艾德·哈里斯,詹姆斯·弗蘭切威勒,拉夫·洛,史蒂夫·馬克,露露·泰勒,安德烈·雅各布斯,Maggie Toomey,肖恩·卡梅倫·邁克爾,內爾·威廉姆斯,喬·瓦茲,馬丁·門羅,比安卡·阿瑪托,羅伯特·霍布斯,伊桑·桑德斯本是豪門繼承人的貝克特·雷德費洛(格倫·鮑威爾 Glen Powell 飾)被家族拋棄,為了確保成為巨額遺產的唯一繼承人,他不擇手段干掉了七個親戚。影片靈感來源于1949年的喜劇《仁心與冠冕》。
誓不遺忘
帕斯·貝加,西蒙·貝克,肯·戴維蒂安,科洛·莫瑞茲帕茲和西蒙是一對夫婦,他們與西蒙的女兒生活在一個小鎮上。西蒙是一支女子足球隊的教練。一個偶然的機會,西蒙的女兒在踢球時發現有人正在進行宗教儀式。她走近并拿走了一個器物,然而不久之后,女兒神秘失蹤了。西蒙和帕茲非常擔心女兒的安危,他們四處打聽消息,而西蒙尤為焦急。為了找到女兒,帕茲一方面為她祈禱,一方面尋求靈媒的協助。通過與西蒙的接觸,靈媒得以看到一些景象:一個男人被兩個人殺害,小女孩藏在床底下,倒立的十字架,紅色窗簾覆蓋在尸體上。 西蒙聽到這些描述感到震驚和恐懼,他急不可耐地與久未聯系的母親取得聯系,希望她能幫忙打聽消息。帕茲的表哥在警局工作,他雖然知道FBI已經接手此案,但仍愿意協助打聽消息。于是,西蒙和表哥一起前往人員繁忙的紅燈區。就在他們與負責該區域的警官交談時,一個妓女認出了西蒙,但叫他羅伯特。西蒙堅稱她認錯了人,妓女于是在紙巾上寫下一行字,邀請他私下交談。當晚,西蒙前往約定地點,但發現妓女已被殺。
牢獄鴛
華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利肯特·馬洛(蒙哥馬利·克里夫特 飾)因酒駕而入獄,并在牢中認識了搶劫犯約翰·摩根(切斯特·莫里斯 飾)和殺人犯機關槍布奇(華萊士·比里 飾)。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌,隨后他與其他獄友也無法和諧相處,心懷不滿的他在警察密探的慫恿下想要通過抓住布奇和摩根的把柄的方式來提前出獄。性格暴躁的布奇無法忍受牢中惡劣的飲食條件,在餐廳慫恿所有犯人一起抗議,最終遭到壓制,布奇也因此被送往地牢,但他心中已打定主意要設法越獄。摩根性格狡猾,在獄中一直左右逢源,并因在獄中表現良好得到了提前出獄的假釋機會,就在他喜不勝收準備出獄之時,某個突然而來的事件永遠改變了他的命運。