即刻觀影
劇情賞析
編輯推薦
至尊馬蒂
提莫西·查拉梅,格溫妮斯·帕特洛,敖德薩·阿德隆,凱文·奧利里,泰勒·奧康馬,桑德拉·伯恩哈德,阿貝爾·費(fèi)拉拉,喬什·伯恩,亞歷山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,蓋佐·羅赫里格,法蘭·德瑞雪,弗朗西斯·杜莫里耶,凱文·埃克爾斯頓,約里斯·斯圖克,克里斯蒂安·伊格弗丹斯,布萊克·吉奧維蒂,斯賓塞·格蘭斯,托雷·希爾為了實(shí)現(xiàn)一個(gè)無人相信的偉大夢想，馬蒂去了一趟地獄。 年輕迷人的馬蒂，渴望名聲、榮耀，以及遙不可及的“世界乒乓球冠軍”頭銜。為了夢想，他什么都能做到。穿越紐約、巴黎、倫敦、開羅與東京，他在無數(shù)的挫折與考驗(yàn)中前行，遇見了摯友、戀人與伙伴，也一次次在勝敗之間重生。最終，他開創(chuàng)了自己的偉大道路，也領(lǐng)悟了榮光的真正意義。
要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍賞美津子,吉行和子,藤間爽子,豐島花,富山繪里子,布施千賀子,高橋努,白本彩奈,宮澤美保本劇改編自自身也有護(hù)士經(jīng)驗(yàn)的藤岡陽子所著同名小說。故事發(fā)生在1945年的菲律賓，穿越時(shí)空的主人公，在戰(zhàn)爭時(shí)期物資匱乏、與死亡相伴的殘酷狀況下，與同伴們一起不失去希望地生活著，通過每天的生活，逐漸找回生存的力量。
鐵板燒
許冠文,葉倩文,葉麗儀,盧海鵬,車保羅,許英秀,黎小田,李燕萍,劉允,黃文慧阿黃（許冠文 飾）是一名料理師，個(gè)性有些輕浮又十分愛現(xiàn)，但實(shí)際上，他是個(gè)名副其實(shí)的“妻管嚴(yán)”。阿黃和爺爺（許英秀 飾）一起住在岳父（盧海鵬 飾）家中，岳父性格武斷又強(qiáng)勢，生活中阿黃免不了要受氣，日積月累下來，阿黃的心中積蓄了許多不滿。 某日，一位名為施施（葉倩文 飾）的美麗女子出現(xiàn)在了阿黃的面前，她正是阿黃的夢中情人。讓阿黃沒有想到的是，施施竟然對自己一往情深，還邀請他去菲律賓度假，這樣的好機(jī)會阿黃怎么能夠放過，兩人遂即動身。阿黃的妻子（鄒美儀 飾）和好友雪莉（葉麗儀 飾）得知此事，遂和父親一起，對阿黃展開了“追捕”。
鬼三驚3
沃拉甘·羅娜瓦查拉,Akarin Akaranitimaytharatt,Passornkorn Chirativat,緹拉娜·友薩奴,Nutjaree Horvejkul,Numchok Thanatram,Natee Aekwijit,滬瓦隆·威伍颯,Sara Holher,Worachart Thumwijin高速公路：琵姆是高速公路收費(fèi)站夜班收費(fèi)員。凌晨三點(diǎn)鐘在她當(dāng)值的時(shí)候，一股邪惡力量正在威脅她的生命。 一夜情：譚是一個(gè)繪畫修復(fù)者，喜歡參加各種派對和夜店。一天，譚遇見了一個(gè)神秘、性感的女人娜潘，并對她一見鐘情。第二天凌晨三點(diǎn)鐘，他找到娜潘并跟隨她到她家。這個(gè)女人究竟是誰？ 電視直銷：山姆是一檔電視購物節(jié)目的導(dǎo)演。他的組員和主持人打算合伙捉弄他。他們密謀了一系列奇異的事件，想要報(bào)復(fù)一下這個(gè)自大的導(dǎo)演。凌晨三點(diǎn)鐘，導(dǎo)演助理歐接到了山姆女朋友的電話，她打電話來是告訴他，山姆在來電視臺的路上出車禍死了。歐試圖把這個(gè)消息告訴組員們，但是沒人相信他的話。這時(shí)，所有燈瞬間熄滅，惡作劇開始了……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
驚天魔盜團(tuán)3
杰西·艾森伯格,伍迪·哈里森,戴夫·弗蘭科,艾拉·菲舍爾,賈斯蒂斯·史密斯,多米尼克·塞薩,阿麗亞娜·格林布拉特,裴淳華,摩根·弗里曼,馬克·魯法洛,丹尼爾·雷德克里夫,尼克·威特曼因神秘塔羅牌的指引，那群用魔術(shù)“替天行盜”的騎士們殺回來了！“初代四騎士”與三位新生代魔術(shù)師攜手，目標(biāo)直指一位鉆石大亨——其家族憑借龐大資本與隱秘勢力，構(gòu)建了全球性犯罪網(wǎng)絡(luò)，也為騎士團(tuán)布下層層陷阱！面對史上最難的“盜竊任務(wù)”，騎士們再現(xiàn)奇跡，上演橫跨全球的魔術(shù)大秀，與“血色鉆石家族”展開騙中騙、局中局、計(jì)中計(jì)的巔峰博弈……