即刻觀影
劇情賞析
編輯推薦
殘酷的夏日
翟乃社,曲國強,鄔倩倩,張嘉益諸家老太有兩個兒子夢龍和夢飛，以及一個養(yǎng)孫國榮。16年前，一伙以張振邦為首的歹徒為了報復諸老太在公安局工作的丈夫，欲把夢龍和夢飛活埋，國榮的父親得知后，救出了兄弟倆，自己卻被燒死，諸老太為了報恩，收養(yǎng)了國榮，并且對他十分疼愛。不想，16年后的今天，國榮卻陷入了張的販毒集團。夢龍出于對國榮的愛護，在知道國榮販毒后，私下包庇他。在公安局工作的夢飛在緝拿國榮的過程中，國榮因拒捕被擊斃，夢龍被夢飛帶上了手銬。
孤兒2025
Bojtorján Barabas,Andrea Waskovics,格萊高利·嘉德波瓦,馬爾桑·恰尼克1956年匈牙利革命后，一個男孩從小被母親灌輸了關(guān)于已故父親的理想化故事，卻突然遇到一個粗野的男人，對方聲稱自己是他的親生父親。
雙龍出海
吳耀漢,葉德嫻,惠英紅貝多芬（岑建勛 飾）和阿秋（吳耀漢 飾）是一對好朋友，也是搞笑鬼馬的便衣搭檔。他們常將警局鬧得不可開交，連上司陳辦（陳欣建 飾）也頭疼不已。不過，自從阿秋和安娜（葉德嫻 飾）結(jié)婚之后，貝多芬就變得孤苦伶仃，可憐兮兮。最終貝多芬搬到了阿秋家，和這對小夫妻湊成一個笑料百出的三人世界。 陳辦不堪其擾，將二人調(diào)到素有“鯊魚田”之稱的田警司（田俊 飾）麾下，兩人被好好整了一番，苦不堪言。另一方面，陳辦在執(zhí)行任務時被多年前的宿敵飛天蠄蟧（林正英 飾）陷害。貝多芬和阿秋深知老上司被冤枉，于是明察暗訪，發(fā)誓揪出幕后真兇……
深入陰宅
辛政順,尹伊娜,申素媛在京畿道有一所廢棄的住宅，此前曾屬于一名金姓老板，他所經(jīng)營的食品工廠蒸蒸日上，然而他因外遇而和妻子關(guān)系日漸惡劣。某天，金老板一家五口被人殘忍殺害，與之有染的女員工也下落不明。附近百姓傳說女員工早被殺死，她的怨靈屠殺了金老板一家，金老板的住宅也成了當?shù)刂墓碚！ ?010年的一天，電視臺《廢家探訪》劇組慕名前來，但是包括制作人李永珠、導演崔圭石、錄音記者程智英、廢家探訪隊員任萬首、萬美真、崔雨嵐一行六人最終神秘失蹤。6月的一天，攝制組的錄像帶素材重現(xiàn)天日，經(jīng)過一番修復，攝制組成員們最后那段恐怖的經(jīng)歷得以展現(xiàn)世人面前……
光榮何價
大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達·狄龍這部電影是伍迪·格斯的優(yōu)秀傳記，他是美國最偉大的民謠歌手之一。他在上世紀30年代離開了自己位于得克薩斯州的家，去找工作，發(fā)現(xiàn)了美國工人階級的苦難和力量。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster