勞德代爾
"Porky"暫無內容style暫無內容teen暫無內容comedy暫無內容with暫無內容plenty暫無內容of暫無內容gross暫無內容out暫無內容jokes暫無內容and暫無內容nudity.暫無內容A暫無內容nerd暫無內容and暫無內容his暫無內容out-of-control暫無內容friend暫無內容chase暫無內容a暫無內容dream暫無內容girl暫無內容to暫無內容a暫無內容beach暫無內容on暫無內容Florida暫無內容where暫無內容all暫無內容the暫無內容expected暫無內容carrying暫無內容on暫無內容occurs.
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致命錄像帶
Calvin Reeder,萊恩·休斯,亞當·溫加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer讓她走
Alanna LeVierge,Nina Kiri,Adam Christie,Kate Fenton,Michael Lipka,Brooke Henderson,Glen Reid,Deborah Jayne Reilly Smith,Kyle Hytonen,Paul McGinnis,Eric Picard網住你的心
伽羅·阿德瓦尼,阿迪提亞·西勒,Chirag Pardesi,Paras Gola,Rajesh Jais,Shivam Kakar,Manish Chaudhary,瑪麗卡·杜阿,Yudhishtir Urs,Ansuman Bhagat,Amit Bimrot冰尸玩過界
Seth David Mitchell,Brit Morgan,Noah Segan街尾之宅
詹妮弗·勞倫斯,伊麗莎白·蘇,麥克斯·泰瑞奧,吉爾·貝羅斯,Eva Link,諾蘭·杰拉德·馮克,艾莉·麥克唐納壞血1986
米歇爾·皮科利,朱麗葉·比諾什,德尼·拉旺,漢斯·邁爾,朱莉·德爾佩,卡羅爾·布魯克斯,烏戈·普拉特,米雷耶·佩里耶,塞爾日·雷吉亞尼,弗朗索瓦·尼格雷特同類推薦
哈文赫特死亡公寓
Julie Benz,Fionnula Flanagan,Belle Shouse一個女人,她的一個好朋友住進了哈文赫特公寓就再也沒有消息,然后杰奎琳住進這棟公寓進行調查,卻發現了這棟公寓的不為人知的歷史.....
電子云層下
梅拉布·尼尼澤,丘爾潘·哈馬托娃,拉米爾·薩爾霍烏德諾夫,卡里姆·帕卡什科夫,阿納斯塔西婭·梅利尼科娃,彼得·戈薩沃斯基,路易斯·弗蘭克,維克托·博科夫,維多利亞··科如托科娃霧雪籠罩的怪異河岸。四處散落著鋼精和水泥。一棟廢棄的摩天大樓。平坦處仍未完工的公路橋。一座宏大的金屬制的馬的雕像。還有一座列寧的雕塑,他的右手伸展著指向空曠處。這是一個冰冷、僵化的無人之境,衰落的往昔在這里與想象中的未來接壤。人們漫無目的地穿過這個不真實的世界。原先確定無疑的事情不再令人確信,親戚朋友都消失了,理想已經隨風而散。薩莎從國外返回家鄉,她死去的父親曾經是這片建筑工地的主人,現在她繼承了這筆遺產:一位正在尋找工友的吉爾吉斯斯坦工人;一位前額有塊反著光的紅色皮膚的建筑師;一位曾在莫斯科路障旁與葉利欽比肩站立的導游。他們中的一些人會莫名其妙地流鼻血。一位年輕的學生問道,“我們是誰?我是誰?一切都混亂無章。” 小阿列克謝?日耳曼用七個章節,將他祖國的精神面貌壓縮成一部長敘述的象征性電影,一場流暢精心設計的人與攝影機之舞。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
亂馬12:中國昆侖大決戰!破壞計劃之激斗篇!!
山口勝平,林原惠美,日高范子,鹽澤兼人,玉川紗己子,大林隆介,緒方賢一,高山南,井上喜久子,鈴置洋孝,井上和彥,鶴弘美,山田榮子,松井菜櫻子,山寺宏一,佐久間玲,關俊彥,島津冴子,吉村傭,子安武人,真殿光昭,石田彰,永井一郎,麻生美代子又是一個平靜的日子,內褲愛好者八寶齋(永井一郎 飾)四面出擊,惹得亂馬(山口勝平 飾)、小茜、良牙(山寺宏一 飾)、珊璞(佐久間レイ 飾)等人紛紛加入進來,在鎮上惹出巨大的騷動。正當眾人鬧得不可開交之時,一頭裹挾著黑色殺氣的大象突然襲來。它和美麗的主人向八寶齋發起攻擊。與此同時,天空陰云密布,一艘巨船出現在空中。他們是來自中國內地寢昆侖的七福道神,這群神秘之人不僅搶走騎象少女帶來的奧義經卷,還虜走了小茜。亂馬一眾不堪就范,決定啟程前往中國……本片根據高橋留美子的漫畫《亂馬1/2》改編,系該動畫的劇場版第一部。
預見者
Michael Piccirilli, Pamelyn Chee, Anthony Bishop一項革命性的人類基因研究計劃,為預防疾病與犯罪帶來了莫大幫助,身為研究員的一份子,希歐多不但致力于生命的發展與延續,還有個能預知他人死亡的特殊能力。不過這次他的能力卻陰錯陽差害死了自己的女友安娜,內疚不已的希歐多以悲傷度日,直到一個月過去,安娜竟又活生生地出現在他面前?