孽海親情

? 3.4 播放:86萬 2026-04-25

畜生的父親和自己親生骨肉的悲劇影片,一部氣氛悲郁的中世紀文藝杰作,故事講述英法百年大戰期間,弗朗索瓦殺死了母親的情人后出走。25年后他返回城堡,跟自己女兒發生了亂論關系。   

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劇情提要

畜生的父親和自己親生骨肉的悲劇影片,一部氣氛悲郁的中世紀文藝杰作,故事講述英法百年大戰期間,弗朗索瓦殺死了母親的情人后出走。25年后他返回城堡,跟自己女兒發生了亂論關系。   

幕后花絮

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奪魂醫生

  在一個肅殺的夜晚,滿身傷痕的女孩西恩娜(艾麗森·蘭格 Allison Lange 飾)跌跌撞撞沖入公路。她隨即被送往醫院,在探員贊恩(詹森·倫敦 Jason London 飾)的詢問下,驚魂未定的西恩娜終于說出了那段恐怖經歷。  兩周前,她和同在醫科大學念書的好友斯科特(B.J. Britt 飾)、杰森(尼克·霍爾莫斯 Nick Holmes 飾)、本(C.J. Thomason 飾)、夏儂等人結伴外出游玩。他們駐留在一所古堡,看似一切充滿了刺激和樂趣,但是這份無上喜悅很快便蒙上一層陰影。在他們身后,似乎有一個手執手術刀的奪命醫生蠢蠢欲動,死神的腳步越來越近。這群躊躇滿志的未來醫生,儼然成為了手術臺上的致命犧牲品……